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History of the theatre
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History of the theatre (1968)History of the theatreTanakh Epistemology: Knowledge and Power, Religious and Secular (2020)Tanakh Epistemology: Knowledg…The first frame: theatre space in Enlightenment France (2015)The first frame: theatre spac…The Cambridge introduction to theatre directing (2014)The Cambridge introduction to…Go West: Georgia's European identity and its role in domestic politics and foreign policy objectives (2014)Go West: Georgia's European i…Drama for "Neglected People": Recovering Anna Julia Cooper's Dramatic Theory and Criticism from the Shadows of W.E.B. Du Bois and Alain Locke (2012)Drama for "Neglected People":…The Elements of Improvisation: Structural Tools for Spontaneous Theatre (2011)The Elements of Improvisation…Locating the self: narratives and practices of authenticity in French clown training (2011)Locating the self: narratives…Drama as a means of preventing post-traumatic stress following trauma within a community (2010)Drama as a means of preventin…The Cambridge Introduction to Theatre Studies (2008)The Cambridge Introduction to…Artistic Performance: Acting, Ballet, and Contemporary Dance (2006)Artistic Performance: Acting,…Islamic Performance and the Problem of Drama (2005)Islamic Performance and the P…Elizabeth I's "picture in little": Boy Company Representations of a Queen's Authority (2003)Elizabeth I's "picture in lit…East, West, and World Theatre (2003)East, West, and World TheatreReconstructing Theatre/History (1999)Reconstructing Theatre/HistoryToward an aesthetics of natural performance (1993)Toward an aesthetics of natur…Unnatural acts: Performing natural conversation1 (1988)Unnatural acts: Performing na…The Presentation of Self in Everyday Life. (1956)Speech Genres and Other Late Essays (1986)A Social Psychologist Discovers Chicago Sociology (1989)The politics of personal narrative methodology (1997)From Synthesis to Script: Transforming Qualitative Research Findings for Use in Practice (2006)Explaining Creativity (2023)Shamanism: Archaic Techniques of Ecstasy (1951)The feeling of what happens: body and emotion in the making of consciousness (2000)The Roots of Empathy: The Shared Manifold Hypothesis and the Neural Basis of Intersubjectivity (2003)Using dramatic reality to reduce depressive symptoms: A qualitative study (2014)Artes y bienestar psicológico (2020)Implementation of drama therapy services in the North American school system: Responses from the field (2021)The Colour Revolutions in the Former Soviet Republics (2010)Collective memory and reputational politics of national heroes and villains (2017)Black Female Playwrights: An Anthology of Plays before 1950. (1991)Not just race, not just gender: black feminist readings (1999)Africana Critical Theory: Reconstructing The Black Radical Tradition, From W. E. B. Du Bois and C. L. R. James to Frantz Fanon and Amilcar Cabral (2009)Impro: Improvisation and the Theatre (1984)Production of presence: what meaning cannot convey (2004)Games for Actors and Non-Actors (2005)The Theory of the modern stage : an introduction to modern theatre and drama (1968)Professing Performance, Disciplinary Genealogies (2001)Performance: A Critical Introduction (2017)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The Production of Space (1992)Perception in chess (1973)The Player's Passion: Studies in the Science of Acting (1986)Long-term working memory. (1995)Actors are Skilled in Theory of Mind but Not Empathy (2009)Living in Alternative and Inner Worlds: Early Signs of Acting Talent (2009)Engagement in Role Play, Pretense, and Acting Classes Predict Advanced Theory of Mind Skill in Middle Childhood (2011)The Structure of Scientific Revolutions (1963)Discipline and Punish: The Birth of the Prison. (1978)How To Do Things With Words (1975)Gender Trouble: Feminism and the Subversion of Identity (1991)Mapping Intermediality in Performance (2011)Enjoying theater: The role of visitor’s response to the performance. (2013)Screening from the Met, the NT, or the House: what changes with the live relay (2014)Distinction: A Social Critique of the Judgement of Taste* (2018)
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  • 2008The Cambridge Introduction to Theatre Studies176 cited
  • 2014Go West: Georgia's European identity and its role in domestic politics and foreign policy objectives72 cited
  • 1993Toward an aesthetics of natural performance68 cited
  • 2006Artistic Performance: Acting, Ballet, and Contemporary Dance30 cited
  • 2020Tanakh Epistemology: Knowledge and Power, Religious and Secular19 cited
  • 2011The Elements of Improvisation: Structural Tools for Spontaneous Theatre19 cited
  • 2012Drama for "Neglected People": Recovering Anna Julia Cooper's Dramatic Theory and Criticism from the Shadows of W.E.B. Du Bois and Alain Locke17 cited
  • 2015The first frame: theatre space in Enlightenment France17 cited
  • 2010Drama as a means of preventing post-traumatic stress following trauma within a community16 cited
  • 1999Reconstructing Theatre/History16 cited
  • 1988Unnatural acts: Performing natural conversation116 cited
  • 2003East, West, and World Theatre13 cited
  • 2011Locating the self: narratives and practices of authenticity in French clown training12 cited
  • 2014The Cambridge introduction to theatre directing12 cited

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2005
Islamic Performance and the Problem of Drama
10 cited
  • 2003Elizabeth I's "picture in little": Boy Company Representations of a Queen's Authority9 cited