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The Chemistry of Paints and Painting
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The Chemistry of Paints and Painting (1915)The Chemistry of Paints and PaintingAnalytical studies on commercial artists’ colour charts from Das Deutsche Farbenbuch (1925)—identification of synthetic and natural organic colourants by Raman microscopy, surface-enhanced Raman spectroscopy and metal underlayer ATR-FTIR spectroscopy (2022)Analytical studies on commerc…Lammerite as a Degradation Product of Emerald Green: Scientific Studies on a Rural Persian Wall Painting (2018)Lammerite as a Degradation Pr…Reactivity of Cd-yellow pigments: Role of surface defects (2017)Reactivity of Cd-yellow pigme…New insights into the materials of fifteenth- and sixteenth-century Netherlandish paintings in the National Gallery, London (2017)New insights into the materia…Change is permanent: thoughts on the fading of cochineal-based watercolor pigments (2017)Change is permanent: thoughts…Historic Mineral Pigments: Colorful Benchmarks of Ancient Civilizations (2015)Historic Mineral Pigments: Co…Aluminium X-ray absorption near-edge spectroscopy analysis of discoloured ultramarine blue in 20th century oil paintings (2015)Aluminium X-ray absorption ne…THE OBSCURE HISTORY OF A UBIQUITOUS PIGMENT: PHOSPHORESCENT LITHOPONE AND ITS APPEARANCE ON DRAWINGS BY JOHN LA FARGE (2014)THE OBSCURE HISTORY OF A UBIQ…Early Viridian Pigment Composition CHARACTERIZATION OF A (HYDRATED) CHROMIUM OXIDE BORATE PIGMENT (2009)Early Viridian Pigment Compos…A review of the phenomenon of lead white darkening and its conversion treatment (2007)A review of the phenomenon of…British Watercolour Cakes from the Eighteenth to the Early Twentieth Century (2005)British Watercolour Cakes fro…The Characterization of Cobalt Violet Pigments (2002)The Characterization of Cobal…Paint Driers Discussed in 19th-Century British Oil Painting Manuals (1999)Paint Driers Discussed in 19t…The Development and Initial Application of a Gas Chromatographic Method for the Characterization of Gum Media (1998)The Development and Initial A…Later nineteenth century pigments: Evidence for additions and substitutions (1995)Later nineteenth century pigm…Colour changes of watercolour pigments during deacidification (1982)Colour changes of watercolour…National Gallery Technical Bulletin (1979)Raman microscopy in archaeological science (2004)Pigment Compendium: A Dictionary of Historical Pigments (2007)Comparison between non-invasive methods used on paintings by Goya and his contemporaries: hyperspectral imaging vs. point-by-point spectroscopic analysis (2017)Applying micro-computed tomography (micro-CT) and Raman spectroscopy for non-invasive characterization of coating and coating pigments on ancient Chinese papers (2020)Advanced X-ray techniques to study the alteration of pigments in paintings (2025)The materials of the artist and their use in painting, with notes on the techniques of the old masters (1949)The Artist's Handbook of Materials and Techniques (1983)Organic Chemistry of Museum Objects (2012)A methodological approach to study the stability of selected watercolours for painting reintegration, through reflectance spectrophotometry, Fourier transform infrared spectroscopy and hyperspectral imaging (2018)Discrimination of Acacia gums by MALDI-TOF MS: applications to micro-samples from works of art (2018)Hyperspectral Imaging as Powerful Technique for Investigating the Stability of Painting Samples (2019)De la peinture à l'huile (1830)Examination, conservation and restoration of painted art (2007)Materials for a History of Oil Painting (2008)Mass Spectrometric and Synchrotron Radiation based techniques for the identification and distribution of painting materials in samples from paints of Josep Maria Sert (2012)The Ins and Outs of 14C Dating Lead White Paint for Artworks Application (2020)Art in the Making: Impressionism (1993)Multi‐analytical non‐invasive study of modern yellow paints from postwar Italian paintings from the International Gallery of Modern Art Cà Pesaro, Venice (2015)The artists’ materials of P. 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  • 2002The Characterization of Cobalt Violet Pigments45 cited
  • 1995Later nineteenth century pigments: Evidence for additions and substitutions43 cited
  • 2017New insights into the materials of fifteenth- and sixteenth-century Netherlandish paintings in the National Gallery, London42 cited
  • 2005British Watercolour Cakes from the Eighteenth to the Early Twentieth Century33 cited
  • 1998The Development and Initial Application of a Gas Chromatographic Method for the Characterization of Gum Media33 cited
  • 2017Change is permanent: thoughts on the fading of cochineal-based watercolor pigments30 cited
  • 1999Paint Driers Discussed in 19th-Century British Oil Painting Manuals29 cited
  • 2015Aluminium X-ray absorption near-edge spectroscopy analysis of discoloured ultramarine blue in 20th century oil paintings28 cited
  • 2007A review of the phenomenon of lead white darkening and its conversion treatment27 cited
  • 2018Lammerite as a Degradation Product of Emerald Green: Scientific Studies on a Rural Persian Wall Painting27 cited
  • 2015Historic Mineral Pigments: Colorful Benchmarks of Ancient Civilizations25 cited
  • 2009Early Viridian Pigment Composition CHARACTERIZATION OF A (HYDRATED) CHROMIUM OXIDE BORATE PIGMENT20 cited
  • 2017Reactivity of Cd-yellow pigments: Role of surface defects19 cited

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  • 2022Analytical studies on commercial artists’ colour charts from Das Deutsche Farbenbuch (1925)—identification of synthetic and natural organic colourants by Raman microscopy, surface-enhanced Raman spectroscopy and metal underlayer ATR-FTIR spectroscopy17 cited
  • 1982Colour changes of watercolour pigments during deacidification17 cited
  • 2014THE OBSCURE HISTORY OF A UBIQUITOUS PIGMENT: PHOSPHORESCENT LITHOPONE AND ITS APPEARANCE ON DRAWINGS BY JOHN LA FARGE16 cited