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The book of Sir Thomas More
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The book of Sir Thomas More (1990)The book of Sir Thomas MoreThe date ofSir Thomas More (2013)The date ofSir Thomas MoreShakespeare and The Book of Sir Thomas More (2011)Shakespeare and The Book of S…Precision, Consistency and Completeness in Early-Modern Playbook Manuscripts: The Evidence from Thomas of Woodstock and John a Kent and John a Cumber (2011)Precision, Consistency and Co…Repertory studies: A survey (2008)Repertory studies: A surveyCitizens' Games: Differentiating Collaboration and Sir Thomas More (2007)Citizens' Games: Differentiat…Mercy and Authority in the Tudor State (2003)Mercy and Authority in the Tu…“The Actors are Come Hither”: Literary Analogues of Itinerant Player Troupe Procedures (1989)“The Actors are Come Hither”:…Back by Popular Demand: The Two Versions of "Henry V" (1988)Back by Popular Demand: The T…Old Light on the Text of "King Lear" (1981)Old Light on the Text of "Kin…The Shakespeare First Folio: Its Bibliographical and Textual History. (1956)A New Introduction to Bibliography (1973)The Riverside Shakespeare (1999)The Materiality of the Shakespearean Text (1993)Documents of Performance in Early Modern England (2009)The Elizabethan Stage (2009)Language, Counter-Memory, Practice: Selected Essays and Interviews (1978)Oxford English dictionary (2004)"Strange Discourse": The Controversial Subject of Sir Thomas More (2011)Textual Strategies: Perspectives in Post-Structuralist Criticism (1980)Homosexuality in Renaissance England (1984)Shakespearean Negotiations (1988)Issues in review: Dramatists, playing companies, and repertories: Introduction (2010)Introduction: Nothing Will Come of Nothing? Or, What can we Learn from Plays that Don’t Exist? (2014)William Shakespeare: The Complete Works (1953)William Shakespeare: The Complete Works (1956)Tudor Drama and Politics (1968)London professional playhouses and performances (2004)The condition of the theatres in 1642 (2004)Theatre and Commonwealth (2004)Shakespeare's History Plays (1947)The Political Unconscious: Narrative as a Socially Symbolic Act by Fredric Jameson (Cornell University Press, 305 pp.; $19.50) (1981)The Political Unconscious: Narrative as a Socially Symbolic Act (1983)Gender, Genre, and Elizabeth’s Princely Surrogates in Henry IV and Henry V (2014)Masculine Dreams:Henry Vand the Jacobean Politics of Court Performance (2019)Painted Cloths and the Making of Whitehall’s Playing Space, 1611/1612 (2019)Making Shakespeare (2004)Making Shakespeare: From Stage to Page (2004)The Collected Works (1978)Computation into criticism : a study of Jane Austen's novels and an experiment in method (1987)Six Authors and the Saturday Review : A Quantitative Approach to Style (2015)Shakespeare's Englishes (2019)THE MORAL ECONOMY OF THE ENGLISH CROWD IN THE EIGHTEENTH CENTURY (1971)Punishment and Modern Society (1990)WRITING ABOUT VIOLENCE IN THE TUDOR KINGDOMS (2011)The Prison in Early Modern Drama (2012)The Prisoner, the Lover, and the Poet: The Devonshire Manuscript and Early Tudor Carcerality (2012)
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Cited by

  • 2003Mercy and Authority in the Tudor State87 cited
  • 1981Old Light on the Text of "King Lear"37 cited
  • 1988Back by Popular Demand: The Two Versions of "Henry V"31 cited
  • 1989“The Actors are Come Hither”: Literary Analogues of Itinerant Player Troupe Procedures22 cited
  • 2011Precision, Consistency and Completeness in Early-Modern Playbook Manuscripts: The Evidence from Thomas of Woodstock and John a Kent and John a Cumber19 cited
  • 2007Citizens' Games: Differentiating Collaboration and Sir Thomas More16 cited
  • 2013The date ofSir Thomas More15 cited
  • 2008Repertory studies: A survey13 cited
  • 2011Shakespeare and The Book of Sir Thomas More10 cited

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