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Recepción e impacto del drama cinematográfico: el papel de la identificación con los personajes y la empatía
16 references·1 citing·43 second hop
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References

  • 1988Development and validation of brief measures of positive and negative affect: The PANAS scales.31,356 cited
  • 1983Measuring individual differences in empathy: Evidence for a multidimensional approach.10,260 cited
  • 2000The role of transportation in the persuasiveness of public narratives.4,849 cited
  • 2001Social Cognitive Theory of Mass Communication3,774 cited
  • 2001Defining Identification: A Theoretical Look at the Identification of Audiences With Media Characters1,926 cited
  • 2002Entertainment-Education and Elaboration Likelihood: Understanding the Processing of Narrative Persuasion1,452 cited
  • 2001Can people feel happy and sad at the same time?1,081 cited
  • 2003Longitudinal relations between children's exposure to TV violence and their aggressive and violent behavior in young adulthood: 1977-1992.993 cited
  • 2004Enjoyment: At the Heart of Media Entertainment981 cited
  • 1996Emotion and the structure of narrative film film as an emotion machine547 cited
  • 2003Viewer Aggression and Homophily, Identification, and Parasocial Relationships With Television Characters425 cited
  • 1993Exploring the Paradox of the Enjoyment of Sad Films352 cited
  • 2004Conceptualizing Media Enjoyment as Attitude: Implications for Mass Media Effects Research327 cited
  • 2006Television Dramas and Support for Controversial Public Policies: Effects and Mechanisms

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280 cited
  • 2007Métodos cuantitativos de investigación en comunicación269 cited
  • 2005Some Like It Bad: Testing a Model for Perceiving and Experiencing Fictional Characters263 cited
  • Cited by

    • 2018The political economy of intellectual property rights: the paradox of Article 27 exemplified in Ghana14 cited