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Optic‐Clash: Modes of Visuality in India
16 references·1 citing·36 second hop
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References

  • 1981The Dialogic Imagination: Four Essays9,726 cited
  • 1985Distinction. A Social Critique of the Judgement of Taste4,442 cited
  • 1986Noise: The Political Economy of Music1,617 cited
  • 2003Media worlds: anthropology on new terrain810 cited
  • 1992The Varieties of Sensory Experience: A Sourcebook in the Anthropology of the Senses.739 cited
  • 1995Consuming Modernity: Public Culture in a South Asian World653 cited
  • 1991India through Hindu categories364 cited
  • 1988Why Public Culture?354 cited
  • 2004Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy346 cited
  • 2003Iconoclash: Beyond the Image Wars in Science, Religion, and Art289 cited
  • 2006Internet X-Ray: E-Governance, Transparency, and the Politics of Immediation in India261 cited
  • 1981Glancing: Visual Interaction in Hinduism251 cited
  • 2002Pleasure and the nation: the history, politics and consumption of public culture in India238 cited
  • 2019Museums and Communities53 cited
  • 1994Light of Asia : Indian silent cinema, 1912-193436 cited
  • 2002Penetrating gazes: The poetics of sight and visual display in popular Indian cinema

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  • 20213DZiyarat: Lenticularity and technologies of the moving image in material and visual piety9 cited