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Signifyin(g): A semiotic analysis of symphonic works by William Grant Still, William Levi Dawson, and Florence B. Price
16 references·0 citing·30 second hop
Signifyin(g): A semiotic analysis of symphonic works by William Grant Still, William Levi Dawson, and Florence B. Price (2007)Signifyin(g): A semiotic analysis of symp…Feeling and Form (1953) (2026)Feeling and Form (1953)Representing African Music (2014)Representing African MusicConceptualizing music: cognitive structure, theory, and analysis (2003)Conceptualizing music: cognit…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Unsung Voices: Opera and Musi…Playing with Signs: A Semiotic Interpretation of Classic Music (1991)Playing with Signs: A Semioti…Music and Discourse: Toward a Semiology of Music (1991)Music and Discourse: Toward a…Cut 'n' Mix: Culture, Identity and Caribbean Music (1989)Cut 'n' Mix: Culture, Identit…The Signifying Monkey: A Theory of African-American Literary Criticism (1988)The Signifying Monkey: A Theo…Slave Culture: Nationalist Theory and the Foundations of Black America (1988)Slave Culture: Nationalist Th…Oral Tradition as History (1986)Oral Tradition as HistoryMusic Theory, Phenomenology, and Modes of Perception (1986)Music Theory, Phenomenology, …Blues, Ideology, and Afro-American Literature (1984)Blues, Ideology, and Afro-Ame…Classic Music: Expression, Form, and Style (1981)Classic Music: Expression, Fo…Emotion and Meaning in Music (1961)Emotion and Meaning in MusicSlave songs of the United States (1867)Slave songs of the United Sta…Multicultural Education: Historical Development, Dimensions, and Practice (1993)The Canon Debate, Knowledge Construction, and Multicultural Education (1993)The Place of World Englishes in Composition: Pluralization Continued (2006)The Aesthetics of Music (1981)The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)Anthropology and Voice (2014)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Handbook of Emotions (1993)A cognitive developmental approach to morality: investigating the psychopath (1995)Well-being : the foundations of hedonic psychology (1999)African American English (2002)Literacy and Literacies (2003)Demonic Grounds: Black Women And The Cartographies Of Struggle (2006)Social memories: Steps to a sociology of the past (1996)The Anthropology of Colonialism: Culture, History, and the Emergence of Western Governmentality (1997)Communicative and Cultural Memory (2011)Children's First Names: An Empirical Study of Social Taste (1992)Yoruba traditions and African American religious nationalism (2012)“The Future of Archaeology Is Antiracist”: Archaeology in the Time of Black Lives Matter (2021)Cadential processes: The evaded cadence and the “one more time” technique (1992)The Classical Cadence: Conceptions and Misconceptions (2004)Normalizing the Abnormal: Disability in Music and Music Theory (2006)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)Theorizing Musical Meaning (2001)Space and Place: Humanistic Perspective (1979)Whatever Happened to Organizational Anthropology? A Review of the Field of Organizational Ethnography and Anthropological Studies (1997)The Semiotics of Theatre and Drama (2003)
this work references cited by second hop

References

  • 1988The Signifying Monkey: A Theory of African-American Literary Criticism3,044 cited
  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1961Emotion and Meaning in Music1,957 cited
  • 1984Blues, Ideology, and Afro-American Literature1,062 cited
  • 1986Oral Tradition as History743 cited
  • 2026Feeling and Form (1953)729 cited
  • 1981Classic Music: Expression, Form, and Style724 cited
  • 1991Unsung Voices: Opera and Musical Narrative in the Nineteenth Century583 cited
  • 1988Slave Culture: Nationalist Theory and the Foundations of Black America517 cited
  • 1991Music and Discourse: Toward a Semiology of Music510 cited
  • 1989Cut 'n' Mix: Culture, Identity and Caribbean Music343 cited
  • 1991Playing with Signs: A Semiotic Interpretation of Classic Music331 cited
  • 1986Music Theory, Phenomenology, and Modes of Perception319 cited
  • 2003Conceptualizing music: cognitive structure, theory, and analysis304 cited
  • 1867Slave songs of the United States303 cited
  • 2014Representing African Music285 cited

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