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Cited by

• 2009Spaces and Networks of Musical Creativity in the City70 cited
• 2010Cosmopolitan preferences: The constitutive role of place in American elite taste for hip-hop music 1991–200568 cited
• 2005Immunizing Strategies: Hip-Hop and Critique in Tanzania46 cited
• 2018Battling in the Bronx: Social Choreography and Outlaw Culture Among Early Hip-Hop Streetdancers in New York City37 cited
• 2017Of Commodities and Objects: Women and Their Representations in Nigerian Hip-Hop34 cited
• 2011‘Folkbildning’ through hip-hop: how the ideals of three rappers parallel a Scandinavian educational tradition22 cited
• 2012Mala Bizta Sochal Klu: underground, alternative and commercial in Havana hip hop21 cited
• 2008Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology21 cited
• 2011Reading Billboard 1979–89: Exploring Rap Music's Emergence through the Music Industry's Most Influential Trade Publication16 cited
• 2008“That Ill, Tight Sound”: Telepresence and Biopolitics in Post-Timbaland Rap Production11 cited
• 2015Bass 101: Miami, Rio, and the Global Music South19 cited
• 2021Território usado e cultura urbana: o circuito hip hop na metrópole de Havana (1979-2015)9 cited
• 2014Sitä kylvät, mitä niität8 cited
• 2019