SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Bouffants, Beehives, and Breaking Gender Norms: Rethinking “Girl Group” Music of the 1950s and 1960s
16 references·0 citing·30 second hop
Bouffants, Beehives, and Breaking Gender Norms: Rethinking “Girl Group” Music of the 1950s and 1960s (2012)Bouffants, Beehives, and Breaking Gender …She's so fine: reflections on whiteness, femininity, adolescence and class in 1960s music (2011)She's so fine: reflections on…Girl groups, girl culture: popular music and identity in the 1960s (2007)Girl groups, girl culture: po…The Popular Music Studies Reader (2005)The Popular Music Studies Rea…Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era (2005)Always Magic in the Air: The …Masculinities in politics and war : gendering modern history (2004)Masculinities in politics and…Selling an image: girl groups of the 1960s (2003)Selling an image: girl groups…Women and popular music: sexuality, identity and subjectivity (2001)Women and popular music: sexu…Reading rock and roll: authenticity, appropriation, aesthetics (2000)Reading rock and roll: authen…Blues Legacies and Black Feminism (1998)Blues Legacies and Black Femi…The Myth of the Modern Homosexual: Queer History and the Search for Cultural Unity (1997)The Myth of the Modern Homose…Where the Girls Are: Growing up Female with the Mass Media. (1995)Where the Girls Are: Growing …She's a Rebel: The History of Women in Rock & Roll (1993)She's a Rebel: The History of…On Record: Rock, Pop and the Written Word (1990)On Record: Rock, Pop and the …Sirens Of Song: The Popular Female Vocalist In America (1982)Sirens Of Song: The Popular F…Girl Groups: The Story of a Sound (1982)Girl Groups: The Story of a S…Language, Counter-Memory, Practice: Selected Essays and Interviews (1978)Language, Counter-Memory, Pra…Club cultures: music, media and subcultural capital (1996)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Understanding sponsorship effects (2001)“Heritage rock”: Rock music, representation and heritage discourse (2009)The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy (2009)Introduction: Affective Fabrics of Digital Cultures (2012)Music, Power, and Practice (2014)The Lollipop Girl's voice: Respectability, migration, and Millie Small's “My Boy Lollipop” (2016)Making Voices (2019)Slipping Out of View: Subjectivity and Emotion in Gender History (2005)Problematizing military masculinity, intersectionality and male vulnerability in feminist critical military studies (2017)Nationalism as competing masculinities: homophobia as a technology of othering for hetero- and homonationalism (2019)Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany (2004)The Cambridge Companion to the Singer-Songwriter (2016)Staying in, rocking out: Online live music portal shows during the coronavirus pandemic (2020)Caring Consumers: Gendered Consumption Meanings and the Juggling Lifestyle (1996)Changes in women's assertiveness in response to status and roles: A cross-temporal meta-analysis, 1931-1993. (2001)Transformations: Thinking Through Feminism (2005)Feminist Media Criticism and Feminist Media Practices (2000)Battered, Black, and Blue (2002)The Politics of Black Joy (2021)Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices (1998)The surveillant assemblage (2000)Why Study Problematizations? Making Politics Visible (2012)Postfemininities in Popular Culture (2009)Performing Gender: A Content Analysis of Gender Display in Music Videos (2010)The Age of Youth in Argentina (2014)HOMOSEXUAL EXISTENCE AND EXISTING SOCIALISM (2002)The Sexual Orientation and Gender Presentation of Hijra, Kothi, and Panthi in Mumbai, India (2016)Prevalence of Sexual Orientation Across 28 Nations and Its Association with Gender Equality, Economic Development, and Individualism (2019)
this work references cited by second hop

References

  • 1978Language, Counter-Memory, Practice: Selected Essays and Interviews2,723 cited
  • 1990On Record: Rock, Pop and the Written Word755 cited
  • 1995Where the Girls Are: Growing up Female with the Mass Media.449 cited
  • 2004Masculinities in politics and war : gendering modern history305 cited
  • 2001Women and popular music: sexuality, identity and subjectivity278 cited
  • 2005The Popular Music Studies Reader190 cited
  • 1998Blues Legacies and Black Feminism190 cited
  • 1997The Myth of the Modern Homosexual: Queer History and the Search for Cultural Unity128 cited
  • 2000Reading rock and roll: authenticity, appropriation, aesthetics108 cited
  • 2007Girl groups, girl culture: popular music and identity in the 1960s102 cited
  • 1993She's a Rebel: The History of Women in Rock & Roll89 cited
  • 2005Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era64 cited
  • 1982Girl Groups: The Story of a Sound47 cited
  • 2011She's so fine: reflections on whiteness, femininity, adolescence and class in 1960s music26 cited
  • 2003Selling an image: girl groups of the 1960s17 cited
  • 1982

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Sirens Of Song: The Popular Female Vocalist In America
10 cited

Cited by

No citing works inside the corpus for this window.