SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The possessed individual : technology and the French postmodern
0 references·6 citing·24 second hop
The possessed individual : technology and the French postmodern (1992)The possessed individual : technology and…Becoming Carnival: Performing a Postmodern Identity (2014)Becoming Carnival: Performing…The Moral Economy of Person Production: The Class Relations of Self-Performance on ‘Reality’ Television (2009)The Moral Economy of Person P…Critical Theorists and International Relations (2009)Critical Theorists and Intern…Theatre, technology, and time (2005)Theatre, technology, and timeVerhoeven, Virilio, and "Cinematic Derealization" (1999)Verhoeven, Virilio, and "Cine…Art in the Information Economy (1996)Art in the Information EconomyCommunication as Culture: Essays on Media and Society (1992)Forms of Nationhood: The Elizabethan Writing of England. (1993)Culture and Economic Competitiveness: An Emerging Role for the Arts in Canada (2002)The Other Heading: Reflections on Today’s Europe (2010)The Structure of Scientific Revolutions (1963)Discipline and Punish: The Birth of the Prison. (1978)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The UK Border Security Continuum: Virtual Biopolitics and the Simulation of the Sovereign Ban (2010)Assessing the decennial, reassessing the global: Understanding European Union normative power in global politics (2013)Diplomacy, agency, and the logic of improvisation and virtuosity in practice (2017)Discipline and Punish: The Birth of the Prison (1978)Balls Enough: Manliness and Legitimated Violence in Hell's K itchen (2012)Embodying Deficiency Through ‘Affective Practice’: Shame, Relationality, and the Lived Experience of Social Class and Gender in Higher Education (2015)The best friend, the boyfriend, other girls, hot guys, and creeps: the relational production of self on Tumblr (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Being and Time (1927)The End of History and the Last Man (1992)The End of History and the Last Man (1993)The expansion of scenography in virtual reality theatre: investigating the potential of double scenography in Makropol’s Anthropia (2020)The Name Above the Title: An Autobiography (1971)Resisting the virtual life: the culture and politics of information (1996)The Ecstasy of Communication (2007)Image-Music-Text (1977)Anti-Oedipus: Capitalism and Schizophrenia. (1978)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2009The Moral Economy of Person Production: The Class Relations of Self-Performance on ‘Reality’ Television201 cited
  • 2009Critical Theorists and International Relations149 cited
  • 2014Becoming Carnival: Performing a Postmodern Identity11 cited
  • 2005Theatre, technology, and time10 cited
  • 1999Verhoeven, Virilio, and "Cinematic Derealization"10 cited
  • 1996Art in the Information Economy7 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work