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‘Seeing is Believing?’: Visuality and Victorian Fiction
16 references·0 citing·28 second hop
‘Seeing is Believing?’: Visuality and Victorian Fiction (2005)‘Seeing is Believing?’: Visuality and Vic…The Victorians and the Visual Imagination (2001)The Victorians and the Visual…Camera Lucida: Reflections on Photography (2001)Camera Lucida: Reflections on…Fiction in the age of photography: the legacy of British realism (2000)Fiction in the age of photogr…Realism, representation, and the arts in nineteenth-century literature (1998)Realism, representation, and …Framing the Victorians (1996)Framing the VictoriansVictorian Literature and the Victorian Visual Imagination (1995)Victorian Literature and the …Novels behind Glass (1995)Novels behind GlassThe printed image and the transformation of popular culture, 1790-1860 (1992)The printed image and the tra…Techniques of the observer: on vision and modernity in the nineteenth century (1991)Techniques of the observer: o…Selected essays, poems and other writings (1990)Selected essays, poems and ot…The Life and Work of Thomas Hardy (1984)The Life and Work of Thomas H…George Eliot and the Visual Arts (1980)George Eliot and the Visual A…Fiction and the Camera Eye: Visual Consciousness in Film and the Modern Novel (1976)Fiction and the Camera Eye: V…A Short History of Photography (1972)A Short History of PhotographyPrints and Visual Communication (1953)Prints and Visual Communicati…The principles of success in literature (1894)The principles of success in …Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)The new neoliberal subjects? Young/er academics’ constructions of professional identity (2008)Mother, Child, Race, Nation: The Visual Iconography of Rescue and the Politics of Transnational and Transracial Adoption (2003)Voice and the Victorian Storyteller (2005)Allegories of the Anthropocene (2019)An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography (2007)The Quadruple Object (2011)Notes from the Surface of the Image (2003)When Is a Photograph Worth a Thousand Words? (2003)Darwin's Emotions: The Scientific Self and the Sentiment of Objectivity (2009)Against ‘Englishness’: English Culture and the Limits to Rural Nostalgia, 1850–1940 (1997)National Currencies and National Identities (1998)Tactility and Distraction (1991)9. The Generation Of Postmemory (2008)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Picturing knowledge: historical and philosophical problems concerning the use of art in science (1997)The burden of visual truth: The role of photojournalism in mediating reality (1998)Visual Culture isn't Just Visual: Multiliteracy, Multimodality and Meaning (2004)Faciality and Sensation in Hardy'sThe Return of the Native (2006)Seeming Human: Artificial Intelligence and Victorian Realist Character (2018)The Political Lives of Victorian Animals (2019)Travelling landscape-objects (2009)Melodrama (2012)Reconstructing Ancient Worlds: Reception Studies, Archaeological Representation and the Interpretation of Ancient Egypt (2014)Defining Habits: Dickens and the Psychology of Repetition (1999)Satire in an Age of Realism (2010)Compelling Fictions: Spinoza and George Eliot on Imagination and Belief (2012)
this work references cited by second hop

References

  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 1991Techniques of the observer: on vision and modernity in the nineteenth century2,953 cited
  • 2000Fiction in the age of photography: the legacy of British realism492 cited
  • 1972A Short History of Photography361 cited
  • 2001The Victorians and the Visual Imagination322 cited
  • 1992The printed image and the transformation of popular culture, 1790-1860256 cited
  • 1953Prints and Visual Communication249 cited
  • 1996Framing the Victorians204 cited
  • 1984The Life and Work of Thomas Hardy184 cited
  • 1990Selected essays, poems and other writings184 cited
  • 1995Novels behind Glass178 cited
  • 1976Fiction and the Camera Eye: Visual Consciousness in Film and the Modern Novel147 cited
  • 1894The principles of success in literature137 cited
  • 1995Victorian Literature and the Victorian Visual Imagination109 cited
  • 1998Realism, representation, and the arts in nineteenth-century literature106 cited
  • 1980George Eliot and the Visual Arts77 cited

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