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Hugo Riemann and the birth of modern musical thought

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Musicology and Musical Analysis Diverse Music Education Insights Literature, Musicology, and Cultural Analysis

Abstract

1. Riemann's moonshine experiment 2. The responsibilities of nineteenth-century music theory 3. Riemann's musical logic and the 'as if' 4. Musical syntax, nationhood and universality 5. Beethoven's deafness and tone imaginations Epilogue Glossary: Riemann's key terms as explained in the Musik-Lexikon (5th edn, 1900).

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References

1963The Structure of Scientific Revolutions 1995Landscape and memory 1994Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents 1995Reimag(in)ing Riemann 1982A Formal Theory of Generalized Tonal Functions 1985Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle"1989Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg 1967Allgemeine Geschichte der Musik

Cited by

2020The Invention of Latin American Music 2014Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea 2012Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music 2012Riemannian Analytical Values, Paleo- and Neo-2005The German Musical Exile and the Course of American Musicology 2012Harmonic Dualism as Historical and Structural Imperative 2012Three Short Essays on Neo-Riemannian Theory 2012The Reception of Hugo Riemann's Music Theory

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