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Documentation, disappearance and the representation of live performance
0 references·16 citing·43 second hop
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  • 2016The Temporality of the Landscape Revisited55 cited
  • 2020Choreography Invisible48 cited
  • 2019Still Shakespeare and the Photography of Performance39 cited
  • 2016The Rise and Fall of Modelbooks, Notate and the Brechtian Method: Documentation and the Berliner Ensemble’s Changing Roles as a Theatre Company26 cited
  • 2021Love Dances19 cited
  • 2009The Wooster Group’s Hamlet , According to the True, Original Copies19 cited
  • 2015Liveness: Phelan, Auslander, and After17 cited
  • 2016Active roles of light in performance design13 cited
  • 2018Choreographing American Dance Archives: Artist-Driven Archival Projects by Eiko & Koma, Bebe Miller Company, and Jennifer Monson9 cited
  • 2019Training the analytical eye: video annotation for dance9 cited
  • 2008Performing Arts Archives: Dynamic Entities Complementing and Supporting Scholarship and Creativity7 cited
  • 2017Social Media as Theatre Stage: Aesthetics, Affordances and Interactivities6 cited
  • 2015Capturing and Indexing Rehearsals: The Design and Usage of a Digital Archive of Performing Arts5 cited
  • 2021New Possibilities in Cultural Consumption. The Effect of the Global Pandemic on Listening to Music5 cited

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  • 2010Playing More Than the Cancer Card5 cited
  • 2016Archivists and Thespians: A Case Study and Reflections on Context and Authenticity in a Digitization Project3 cited