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The Pearl of Tuva: Authenticity and Tuvan Khorekteer (Throat Singing)
10 references·0 citing·28 second hop
The Pearl of Tuva: Authenticity and Tuvan Khorekteer (Throat Singing) (2003)The Pearl of Tuva: Authenticity and Tuvan…Sounding Indigenous: Authenticity in Bolivian Music Performance (2002)Sounding Indigenous: Authenti…Reading rock and roll: authenticity, appropriation, aesthetics (2000)Reading rock and roll: authen…Music Grooves: Essays and Dialogues (2000)Music Grooves: Essays and Dia…The Throat Singers of Tuva (1999)The Throat Singers of TuvaPerformance and Authenticity in the Arts (1999)Performance and Authenticity …In search of authenticity: from Kierkegaard to Camus (1996)In search of authenticity: fr…Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. (1996)Dangerous Crossroads: Popular…Authenticities: Philosophical Reflections on Musical Performance (1996)Authenticities: Philosophical…Ethnicity, Identity and Music: The Musical Construction of Place by Martin Stokes (ed) (1995)Ethnicity, Identity and Music…Authenticities: philosophical reflections on musical performance (1995)Authenticities: philosophical…Ethnicity, Identity and Music. The Musical Construction of Place (1995)'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)Regions and place: music, identity and place (2006)Musical Communities: Rethinking the Collective in Music (2011)The Making of the Aborigines (2020)"Playing Attention": Contemporary Aesthetics and Performing Arts Audience Education (2004)Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany (2004)The Cambridge Companion to the Singer-Songwriter (2016)Staying in, rocking out: Online live music portal shows during the coronavirus pandemic (2020)A Sweet Lullaby for World Music (2000)Youth and Cultural Practice (2002)The Racialization of Space and the Spatialization of Race: Theorizing the Hidden Architecture of Landscape (2007)The Production of Popular Music as a Confidence Game: The Case of the Chicago Blues (2004)Radical Authentic Leadership: Co-creating the conditions under which all members of the organization can be authentic (2011)Choreography Invisible (2020)Topics in the phonology and morphology of Tuvan (2000)Prevalence of Blood-Borne Infectious Diseases in Blood Donors in Ghana (2002)Harsh Voice Quality and Its Association with Blackness in Popular American Media (2013)Philosophical Perspectives On Music’s Expressiveness (2001)The Theory of Participatory Discrepancies: A Progress Report (1995)The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s (1996)Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)Educational dark tourism at an in populo site (2010)Tourism: A catalyst for existential authenticity (2012)Existential Authenticity: Place Matters (2013)Rampant Reproduction and Digital Democracy: Shifting Landscapes of Music Production and ‘Piracy’ in Bolivia (2010)Tupac in their Veins: Hip-Hop Alteño and the Semiotics of Urban Indigeneity (2012)The Devil in Nationalism: Indigenous Heritage and the Challenges of Decolonization (2016)
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References

  • 1996Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place.563 cited
  • 2000Music Grooves: Essays and Dialogues356 cited
  • 1995Ethnicity, Identity and Music: The Musical Construction of Place by Martin Stokes (ed)274 cited
  • 1996In search of authenticity: from Kierkegaard to Camus188 cited
  • 1996Authenticities: Philosophical Reflections on Musical Performance111 cited
  • 2000Reading rock and roll: authenticity, appropriation, aesthetics108 cited
  • 1995Authenticities: philosophical reflections on musical performance86 cited
  • 2002Sounding Indigenous: Authenticity in Bolivian Music Performance64 cited
  • 1999The Throat Singers of Tuva56 cited
  • 1999Performance and Authenticity in the Arts26 cited

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