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Lost sounds: blacks and the birth of the recording industry, 1890-1919
0 references·16 citing·44 second hop
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  • 2011Marian Anderson and “Sonic Blackness” in American Opera161 cited
  • 2019The Race of Sound Listening, Timbre, and Vocality in African American Music142 cited
  • 2013The ‘one-man band’ and entrepreneurial selfhood in neoliberal culture37 cited
  • 2010Southern Syncopated Orchestra: The Roster18 cited
  • 2013Plantation Song: Delius, Barbershop, and the Blues16 cited
  • 2011Choro do Norte: Improvising the Transregional Roda in the United States15 cited
  • 2022Dashon Burton's Song Sermon: Corporeal Liveness and the Solemnizing Breath12 cited
  • 2014Bloomsbury Encyclopedia of Popular Music of the World11 cited
  • 2010Passing for Black: Coon Songs and the Performance of Race11 cited
  • 2018Popular Music, Stars and Stardom10 cited
  • 2012Responding to the Talkies10 cited
  • 2012Race and Politics in Concert: Paul Robeson and William Warfield in Panama, 1947–195310 cited
  • 2013Why African Americans Put the Banjo Down9 cited
  • 2013Black Hillbillies9 cited
  • 2018‘Who Is British Music?’ Placing Migrants in National Music History8 cited

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  • 2021The origins of syncopation in American popular music7 cited