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Calibration and Use of Photosensitive Materials for Light Monitoring in Museums
8 references·3 citing·22 second hop
Calibration and Use of Photosensitive Materials for Light Monitoring in Museums (2004)Calibration and Use of Photosensitive Mat…Disposable Indicators for Monitoring Lighting Conditions in Museums (2003)Disposable Indicators for Mon…The microclimate inside the Pollaiolo and Botticelli rooms in the Uffizi Gallery, Florence (2002)The microclimate inside the P…Microclimate for Cultural Heritage (2000)Microclimate for Cultural Her…Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements (1999)Predicting The Fading of Obje…Microclimate for Cultural Heritage (1998)Microclimate for Cultural Her…National Gallery Technical Bulletin (1979)National Gallery Technical Bu…The museum environment (1978)The museum environmentControl of deteriorating effects of light upon museum objects* (1964)Control of deteriorating effe…A multi-technique approach for detecting and evaluating material inconsistencies in historical banknotes (2016)A multi-technique approach fo…Documenting the light sensitivity of Spanish Levantine rock art paintings (2015)Documenting the light sensiti…Development and application of a mathematical model to explain fading rate inconsistencies observed in light‐sensitive materials (2012)Development and application o…Application of field portable EDXRF spectrometry to analysis of pigments of Levantine rock art (2010)An approximation to the study of black pigments in Cova Remigia (Castellón, Spain). Technical and cultural assessments of the use of carbon-based black pigments in Spanish Levantine Rock Art (2014)Environmental monitoring in four European museums (2001)Assessment of thermo-hygrometric quality in museums: Method and in-field application to the “Duccio di Buoninsegna” exhibition at Santa Maria della Scala (Siena, Italy) (2010)Microclimate monitoring by multivariate statistical control: The renaissance frescoes of the Cathedral of Valencia (Spain) (2010)Monitoring of indoor air parameters in large museum exhibition halls with and without air-conditioning systems (2016)Application of spectroscopic techniques for the study of paper documents: A survey (2009)Identifying a common origin of toner printed counterfeit banknotes by micro-Raman spectroscopy (2012)Mass spectrometry in art conservation—With focus on paintings (2021)Benefits of applying combined diffuse reflectance FTIR spectroscopy and principal component analysis for the study of blue tempera historical painting (2008)People comfort and artwork saving in museums: comparing indoor requisites (2009)An Investigation of the Reciprocity Principle of Light Exposures Using Microfading Spectrometry (2011)Environmental parameters in museums (2003)Review of preventive conservation in museum buildings (2017)A holistic multimodal approach to the non-invasive analysis of watercolour paintings (2015)“Paintings Fade Like Flowers”: Pigment Analysis and Digital Reconstruction of a Faded Pink Lake Pigment in Vincent van Gogh’s Undergrowth with Two Figures (2017)A survey on the light-fastness properties of organic-based Alaska Native artifacts (2010)Spectral Optimization to Minimize Light Absorbed by Artwork (2018)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)A proposed method to assess the damage risk of future climate change to museum objects in historic buildings (2012)
this work references cited by second hop

References

  • 1979National Gallery Technical Bulletin346 cited
  • 1978The museum environment327 cited
  • 2000Microclimate for Cultural Heritage231 cited
  • 1998Microclimate for Cultural Heritage207 cited
  • 1999Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements96 cited
  • 2002The microclimate inside the Pollaiolo and Botticelli rooms in the Uffizi Gallery, Florence77 cited
  • 1964Control of deteriorating effects of light upon museum objects*38 cited
  • 2003Disposable Indicators for Monitoring Lighting Conditions in Museums18 cited

Cited by

  • 2015Documenting the light sensitivity of Spanish Levantine rock art paintings21 cited
  • 2016A multi-technique approach for detecting and evaluating material inconsistencies in historical banknotes17 cited
  • 2012Development and application of a mathematical model to explain fading rate inconsistencies observed in light‐sensitive materials16 cited

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