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What's So Funny? Comic Content in Depiction
8 references·1 citing·30 second hop
What's So Funny? Comic Content in Depiction (2012)What's So Funny? Comic Content in Depicti…Why We Cooperate (2009)Why We CooperatePen and parchment: drawing in the Middle Ages (2009)Pen and parchment: drawing in…The Cultural Origins of Human Cognition (2000)The Cultural Origins of Human…Understanding Comics: The Invisible Art (1998)Understanding Comics: The Inv…On Pictorial Representation (1998)On Pictorial RepresentationPainting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style (1973)Painting and Experience in Fi…Art and Illusion: A Study in the Psychology of Pictorial Representation (1960)Art and Illusion: A Study in …A theory of pictorial perception (1954)A theory of pictorial percept…Imagining one experience to be another (2021)Imagining one experience to b…Signs, language and behavior. (1946)Language and communication. (1951)Instructional media research: Past, present, and future (1971)Visualization in learning and instruction: a cognitive approach (1982)The Sounding Object (2002)Language and communication (2013)PHILOSOPHY AND PHENOMENOLOGICAL RESEARCH (1941)Languages of Art (1968)Mimesis as Make-Believe: On the Foundations of the Representational Arts (1991)Machines and Mindlessness: Social Responses to Computers (2000)Event structure in perception and conception. (2001)Anthropomorphism and the social robot (2003)Silences and secrecy: The hidden agenda of cartography in early modern Europe (1988)Music Lovers (2001)Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies (2015)When Innovations Meet Institutions: Edison and the Design of the Electric Light (2001)Storytime: young children's literary understanding in the classroom (2008)Depicting as a method of communication. (2016)Cultural Recycling of Cortical Maps (2007)Rethinking the Theoretical Foundation of Sociobiology (2007)Origins of human communication (2009)On Images (2006)Empathy with Inanimate Objects and the Uncanny Valley (2009)Aesthetics as Philosophy of Perception (2016)Ratcheting up the ratchet: on the evolution of cumulative culture (2009)Toward a second-person neuroscience (2013)Using social and behavioural science to support COVID-19 pandemic response (2020)European literature and eleventh-century England (2012)The Cambridge History of Early Medieval English Literature (2012)The writing of history in the early Middle Ages: the Anglo-Saxon Chronicle in context (2012)
this work references cited by second hop

References

  • 2000The Cultural Origins of Human Cognition6,367 cited
  • 1998Understanding Comics: The Invisible Art3,139 cited
  • 2009Why We Cooperate1,894 cited
  • 1960Art and Illusion: A Study in the Psychology of Pictorial Representation1,138 cited
  • 1973Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style430 cited
  • 1998On Pictorial Representation215 cited
  • 1954A theory of pictorial perception129 cited
  • 2009Pen and parchment: drawing in the Middle Ages43 cited

Cited by

  • 2021Imagining one experience to be another42 cited

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