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The reception and consumption of Hallyu in Sweden : Preliminary findings and reflections
6 references·6 citing·45 second hop
The reception and consumption of Hallyu in Sweden : Preliminary findings and reflections (2012)The reception and consumption of Hallyu i…Virtual Hallyu: Korean Cinema of the Global Era (2011)Virtual Hallyu: Korean Cinema…Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols (2010)Korean Masculinities and Tran…Reconsidering Transnational Cultural Flows of Popular Music in East Asia: Transbordering Musicians in Japan and Korea Searching for "Asia" (2009)Reconsidering Transnational C…Touring ‘Dramatic Korea’: Japanese Women as Viewers of Hanryu Dramas and Tourists on Hanryu Tours (2008)Touring ‘Dramatic Korea’: Jap…From Impressionism to anime: Japan as fantasy and fan cult in the mind of the West (2008)From Impressionism to anime: …Hybridity and the rise of Korean popular culture in Asia (2005)Hybridity and the rise of Kor…K-Pop 4E, azaz a kreatív és kulturális ipari marketing-mix elemeinek bemutatása a dél-koreai popzenében (K-Popban) és filmsorozatoknál (K-drámáknál) használt marketing eszközök példáján keresztül (2021)K-Pop 4E, azaz a kreatív és k…Who watches Korean TV dramas in Africa? A preliminary study in Ghana (2017)Who watches Korean TV dramas …Mapping K-Pop Past and Present (2017)Mapping K-Pop Past and PresentKorean–Chinese Film Remakes in a New Age of Cultural Globalisation: Miss Granny (2014) and 20 Once Again (2015) along the Digital Road (2017)Korean–Chinese Film Remakes i…Islam and Local Culture: The Peril of State Violence and Hallyu Fandom in Indonesia (With Reference to Palestine) (2017)Islam and Local Culture: The …La globalización de productos culturales: Un Análisis Webométrico de Kpop en países de habla hispana (2015)La globalización de productos…Disjuncture and Difference in the Global Cultural Economy (1990)Dialectic of Enlightenment, 2011 (2011)Niche, Ethnic and Global Operations (2017)The Cultural Industries (2019)Leading digital business model transformation in the K-pop industry: the case of SM Entertainment (2023)The Korean Wave as the Globalization of South Korean Culture (2023)Globalizing the Regional, Regionalizing the Global: Mass Culture and Asianism in the Age of Late Capital (2000)Tears of longing: nostalgia and the nation in Japanese popular song (2002)Linguistic hybridization in K‐Pop: discourse of self‐assertion and resistance (2004)English and identity in East Asian popular music (2013)The emergence of the anti-Hallyu movement in China (2016)Chinese Television and National Identity Construction (2017)The Condition of Postmodernity (1991)Glocalization: Time-Space and Homogeneity-Heterogeneity (1995)Globalization, or the logic of cultural hybridization: the case of the Korean wave (2009)Film tourism – Evolution, progress and prospects (2012)The Location of Culture (2012)Pop culture, destination images, and visit intentions: Theory and research on travel motivations of Chinese and Russian tourists (2015)Globalization: Social Theory and Global Culture (2000)Online Consumer Review: Word-of-Mouth as a New Element of Marketing Communication Mix (2008)How Censorship in China Allows Government Criticism but Silences Collective Expression (2013)Recentering Globalization (2002)Recentering Globalization: Popular Culture and Japanese Transnationalism (2002)Hallyu across the Desert: K-pop Fandom in Israel and Palestine (2014)Riding the Wavve: Platform Imperialism and South Korea’s Streaming Market (2022)Almost South–South solidarity: The frustration of K-pop fans (but not true fans) in South Africa (2023)Gender Trouble: Feminism and the Subversion of Identity (1991)Violence against women: global scope and magnitude (2002)Revisits: An Outline of a Theory of Reflexive Ethnography (2003)Wrestling with or Embracing Digitization in the Music Industry: The Contrasting Business Strategies of J-pop and K-pop (2018)Faith and fandom: young Indonesian Muslims negotiating K-pop and Islam (2021)Female Empowerment and Radical Empathy for the Sustainability of Creative Industries: The Case of K-Pop (2023)Theorising Chinese Masculinity: Society and Gender in China (2002)Softer soju in South Korea (2013)Global Imagination of K-Pop: Pop Music Fans’ Lived Experiences of Cultural Hybridity (2017)“Little Fresh Meat”: The Politics of Sissiness and Sissyphobia in Contemporary China (2021)Europe versus Asia: foreign language education other than English in Japan’s higher education (2013)National television moves to the region and beyond: South Korean TV drama production with a new cultural act (2017)Gendered melancholia as cultural branding: fandom participation in the K-pop community (2022)Participatory media fandom: A case study of anime fansubbing (2011)A brand new future? Cool Japan and the social imaginary of the branded nation (2013)Transnational fandom in the making: K-pop fans in Vancouver (2018)Collaboration, Coproduction, and Code-Switching: Colonial Cinema and Postcolonial Archaeology (2013)Stepping into the Newsreel: Melodrama and Mobilization in Colonial Korean Film (2014)From Localization to Glocalization: Contriving Korean Pop Culture to Meet Glocal Demands (2017)
this work references cited by second hop

References

  • 2005Hybridity and the rise of Korean popular culture in Asia557 cited
  • 2010Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols183 cited
  • 2008From Impressionism to anime: Japan as fantasy and fan cult in the mind of the West181 cited
  • 2009Reconsidering Transnational Cultural Flows of Popular Music in East Asia: Transbordering Musicians in Japan and Korea Searching for "Asia"39 cited
  • 2011Virtual Hallyu: Korean Cinema of the Global Era35 cited
  • 2008Touring ‘Dramatic Korea’: Japanese Women as Viewers of Hanryu Dramas and Tourists on Hanryu Tours25 cited

Cited by

  • 2017Who watches Korean TV dramas in Africa? A preliminary study in Ghana14 cited
  • 2017Islam and Local Culture: The Peril of State Violence and Hallyu Fandom in Indonesia (With Reference to Palestine)13 cited
  • 2017Mapping K-Pop Past and Present12 cited
  • 2017Korean–Chinese Film Remakes in a New Age of Cultural Globalisation: Miss Granny (2014) and 20 Once Again (2015) along the Digital Road12 cited
  • 2015La globalización de productos culturales: Un Análisis Webométrico de Kpop en países de habla hispana6 cited
  • 2021K-Pop 4E, azaz a kreatív és kulturális ipari marketing-mix elemeinek bemutatása a dél-koreai popzenében (K-Popban) és filmsorozatoknál (K-drámáknál) használt marketing eszközök példáján keresztül5 cited

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