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Dokumente zum Nachwirken Johann Sebastian Bachs, 1750-1800
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Dokumente zum Nachwirken Johann Sebastian Bachs, 1750-1800 (1972)Dokumente zum Nachwirken Johann Sebastian…Musikalische Interpretation und Interpretationsgeschichte (2013)Musikalische Interpretation u…Johann Philipp Kirnberger and Authorship (2013)Johann Philipp Kirnberger and…Bach à Berlin en 1829: une « redécouverte »? (2007)Bach à Berlin en 1829: une « …Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1) (1999)Bach, Telemann, and the Proce…Bach and the Prima prattica: The Influence of Frescobaldi on a Fugue from the Well-Tempered Clavier (1991)Bach and the Prima prattica: …Expression and Authenticity in the Harpsichord Music of J.S. Bach (1990)Expression and Authenticity i…The New Modulation of the 1770s: C. P. E. Bach in Theory, Criticism, and Practice (1985)The New Modulation of the 177…J. S. Bach's Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology (1979)J. S. Bach's Compositions for…Allgemeine Geschichte der Musik (1967)The Art of Strict Musical Composition (1984)Die Kunst des reinen Satzes in der Musik (1988)Philosophy in a New Key. A Study in the Symbolism of Reason, Rite, and Art. (1944)The Corded Shell: Reflections on Musical Expression (1981)The Corded Shell: Reflections on Musical Expression (1982)Instruction, Devotion, and Affection: Three Roles of Bach’s Well-Tempered Clavier (2013)Father and Son (1907)On Playing the Flute (1966)Studies in Renaissance and Baroque Music in Honor of Arthur Mendel (1976)C. P. E. Bach's Sonatas for Solo Flute (1993)Essay on the True Art of Playing Keyboard Instruments (1949)Studies in eighteenth-century music : a tribute to Karl Geiringer on his seventieth birthday (1970)Introduction (2002)T he P rocess of M odulation in M usical C ollage (2008)‘The Heavens are Telling’: Memetic– Calvinian Readings of a Haydn Chord Progression (2012)The New Grove Dictionary of Music and Musicians (1981)The Organ Music of J. S. Bach (1984)The New Grove dictionary of music and musicians (2001)Deutsche Geschichte 1800-1866 (1983)Capitales culturelles, capitales symboliques (2002)Bach in Berlin: nation and culture in Mendelssohn's revival of the St. Matthew Passion (2006)Versions of Imitation in the Renaissance (1980)The Uses of Existing Music: Musical Borrowing as a Field (1994)Bach and the patterns of invention (1997)Counterpoint: From the Bees or for the Birds? Telemann and Early Eighteenth-Century Quarrels with Tradition (2011)Musical Form and Musical Performance (1971)Die Musik in Geschichte und Gegenwart (1989)Sprachen der Kunst : Entwurf einer Symboltheorie (1997)Musikkfilosofiske tekster. Tanker om musikk og språk, tolkning, erfaring, tid, klang, stillhet m.m. (2020)
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  • 1985The New Modulation of the 1770s: C. P. E. Bach in Theory, Criticism, and Practice20 cited
  • 2013Musikalische Interpretation und Interpretationsgeschichte11 cited
  • 1979J. S. Bach's Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology7 cited
  • 2007Bach à Berlin en 1829: une « redécouverte »?4 cited
  • 1999Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1)4 cited
  • 2013Johann Philipp Kirnberger and Authorship2 cited
  • 1990Expression and Authenticity in the Harpsichord Music of J.S. Bach2 cited
  • 1991Bach and the Prima prattica: The Influence of Frescobaldi on a Fugue from the Well-Tempered Clavier2 cited

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