Canadian national cinema: ideology, difference and representation

Abstract

Introduction. 1. Immigration and Empire-building: Film as a Colonizing Discourse - Immigration Films-Attracting the right/white kind of invader-settlers Melodrama and the Ideological Cinema of White Invasion/Settlement: An Unselfish Love Drylanders Drylanders and Ideology Back to Gods Country 2. Who is Ethnographiable? - White Ethnographies: some white people are whiter than others: Hot Ice Nation Building in Saskatchewan: The Ukrainians Saving the Sagas: Salvage Ethnography Secrets of Chinatown: The Monstrous Ethnographic Of Japanese Descent: An Interim Report (1945) 3. Producing a National Cinema - Legislating a National Cinema, Establishing the National Film Board of Canada: Peoples of Canada (1947), Post-War Schemes and Dependency, The NFB and Feature Production, Funding Differences at the NFB: Regionalization, Studio D and the New Initiatives in Film State Intervention: The Legislation of a Canadian Feature Film Industry The Tax Shelter Boom and Canada's Hollywood Features Telefilm Canada Co-Production 4. Narrating Nations/Ma(r)king Differences - External and Internal Colonialism, Ethnic and Gendered Nationalisms: Patriotism, One and Reason Over Passion Quebec USA ou l'invasion pacifique / visit to a foreign country (1962), Genre Texts, Melodrama: Mon Oncle Antoine Les bons debarras Un Zoo la Nuit and Leolo Le Confessional Margaret's Museum The Adujter, The Road Movie: My American Cousin, Highway 61, Goin' Down the Road, The Western: Road to Saddle River and The Grey Fox, Representing the FLQ Crisis: Action: The October Crisis of 1970 Les Ordres Octobre No Just Watch Me: Trudeau and the Seventies Geneeration 5. Visualizing First Nations - Whiting Out the Indigene: Black Robe Windigo Clearcut Map of the Human Heart Dance Me Outside, Returning the Gaze: Aboriginal Filmmakers and Decolonization: Incident at Restigouche Kanehsatake: 270 Years of Resistance Charley Squash Goes to Town Honey Moccasin 6. Multicultural Fields of Vision: Moving the Mountain Double Happiness By This Parting Masala Rude 7. Screening Gender and Sexuality - Screening Gender: How They Saw Us: Careers and Cradles Les Filles du Roi (They Called Us 'Les Filles du Roy') Mourir a Tue Tete (A Scream From Silence) Our Marilyn Counter-Cinema and the Entertainment Film: Bye Bye Blues and I've Heard the Mermaids Singing Dead Ringers Screening Sexuality: The Making of Monsters Cineama and Fictive Sexuality in the National State: Zero Patience. Bibliography.

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