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Performance, Materiality, and Heritage: What Does an Archaeology of Popular Music Look Like?
16 references·1 citing·34 second hop
Performance, Materiality, and Heritage: What Does an Archaeology of Popular Music Look Like? (2013)Performance, Materiality, and Heritage: W…The Ashgate research companion to popular musicology (2010)The Ashgate research companio…Appetite for self-destruction: the spectacular crash of the record industry in the digital age (2010)Appetite for self-destruction…Digital Sampling and Cultural Inequality (2006)Digital Sampling and Cultural…Making beats: the art of sample-based hip-hop (2005)Making beats: the art of samp…Dancing About Architecture: Popular Music Criticism and the Negotiation of Authority (2005)Dancing About Architecture: P…Sound Recording: The Life Story of a Technology (2004)Sound Recording: The Life Sto…When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution (2003)When Creators, Corporations a…Matter, materiality, and modern culture (2001)Matter, materiality, and mode…Architecture and sound: an acoustic analysis of megalithic monuments in prehistoric Britain (1999)Architecture and sound: an ac…Space and Social Theory: Interpreting Modernity and Postmodernity (1998)Space and Social Theory: Inte…Of Bicycles, Bakelites, and Bulbs: Toward a Theory of Sociotechnical Change (1996)Of Bicycles, Bakelites, and B…Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…Studying Popular Music (1991)Studying Popular MusicThe Emergence of the Middle Class: Social Experience in the American City, 1760-1900. (1990)The Emergence of the Middle C…Mystery Train: Images of America in Rock 'n' Roll Music (1977)Mystery Train: Images of Amer…Understanding Media: The Extensions of Man (1964)Understanding Media: The Exte…Archaeology, Heritage and Performance in the Perth Popular Music Scene (2019)Archaeology, Heritage and Per…The Visible Hand: The Managerial Revolution in American Business (1978)The Panoptic Sort: A Political Economy Of Personal Information (1993)From Music Publishing to MP3: Music and Industry in the Twentieth Century (1999)The global ‘epidemic’ of movie ‘piracy’: crime-wave or social construction? (2005)Handbook of Research on Socio-Technical Design and Social Networking Systems (2009)Promises unfulfilled? ‘Journalism 2.0’, user participation and editorial policy on newspaper websites (2010)Citizen and Subject: Contemporary Africa and the Legacy of Late Colonialism. (1997)The spaces of actor-network theory (1998)Beyond ‘women and transport’: towards new geographies of gender and daily mobility (1999)Relocating Participation within a Radical Politics of Development (2005)Popular music in geographical analyses (1995)Re-examining the concept of the ‘independent’ record company: the case of Wax Trax! records (1995)Why does country music sound white? Race and the voice of nostalgia (2007)Club cultures: music, media and subcultural capital (1996)Marketing in Hypermedia Computer-Mediated Environments: Conceptual Foundations (1996)Social Implications of the Internet (2001)Ethnography and popular music studies (1993)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Class, Control, and Classical Music (2019)Using Technology and Constituting Structures: A Practice Lens for Studying Technology in Organizations (2000)Research Commentary: Desperately Seeking the “IT” in IT Research—A Call to Theorizing the IT Artifact (2001)Sociomaterial Practices: Exploring Technology at Work (2007)Material priming: The influence of mundane physical objects on situational construal and competitive behavioral choice (2004)Material worlds? Resource geographies and the `matter of nature' (2006)Toward an Ecology of Materials (2010)The Global Impact of Gangs (2005)Controversial Rap Themes, Gender Portrayals and Skin Tone Distortion: A Content Analysis of Rap Music Videos (2009)“White and Nerdy”: Computers, Race, and the Nerd Stereotype (2011)Framing and Reviewing Hip-Hop Educational Research (2009)The Reorganization of the Sensory World (2010)Sounding Race in Rap Songs (2015)Organizational ignorance: Towards a managerial perspective on the unknown (2012)‘Let's keep music special. F—Spotify’: on-demand streaming and the controversy over artist royalties (2015)Is music streaming bad for musicians? Problems of evidence and argument (2020)
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References

  • 1964Understanding Media: The Extensions of Man12,311 cited
  • 2005Making beats: the art of sample-based hip-hop604 cited
  • 1991Studying Popular Music550 cited
  • 1996Of Bicycles, Bakelites, and Bulbs: Toward a Theory of Sociotechnical Change421 cited
  • 2001Matter, materiality, and modern culture362 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.306 cited
  • 1998Space and Social Theory: Interpreting Modernity and Postmodernity273 cited
  • 1977Mystery Train: Images of America in Rock 'n' Roll Music255 cited
  • 2010Appetite for self-destruction: the spectacular crash of the record industry in the digital age156 cited
  • 2003When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution137 cited
  • 1999Architecture and sound: an acoustic analysis of megalithic monuments in prehistoric Britain115 cited
  • 1990The Emergence of the Middle Class: Social Experience in the American City, 1760-1900.108 cited
  • 2004Sound Recording: The Life Story of a Technology106 cited
  • 2005Dancing About Architecture: Popular Music Criticism and the Negotiation of Authority91 cited
  • 2010The Ashgate research companion to popular musicology

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83 cited
  • 2006Digital Sampling and Cultural Inequality64 cited
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    • 2019Archaeology, Heritage and Performance in the Perth Popular Music Scene3 cited