‘NOTHING POWERFUL LIKE WORDS SPOKEN’

Abstract

This article examines the rhetorical techniques black British female rap artists appropriate and manipulate when they compose and perform their songs. To this end, this work probes how they explore female agency and respond to political, race, class and gender inequity in their compositions. In all, this discussion corrects the virtual absence of black British female rap emcees from transatlantic discourses by offering a close reading of the hip-hop narratives written and/or performed by Shystie, Tor Cesay, Speech Debelle and Ms. Dynamite.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 3 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.