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Historical Fiction and Maryse Condé's I, Tituba, Black Witch of Salem
9 references·0 citing·29 second hop
Historical Fiction and Maryse Condé's I, Tituba, Black Witch of Salem (2009)Historical Fiction and Maryse Condé's I, …Postcolonial Theory and the United States: Race, Ethnicity, and Literature (2003)Postcolonial Theory and the U…Conversations with Maryse Conde (1998)Conversations with Maryse Con…Tituba, Reluctant Witch of Salem: Devilish Indians and Puritan Fantasies. (1997)Tituba, Reluctant Witch of Sa…Salem Story: Reading the Witch Trials of 1692. (1995)Salem Story: Reading the Witc…The postmodern condition (1994)The postmodern conditionLa parole des femmes : essai sur des romancières des Antilles de langue française (1993)La parole des femmes : essai …The Crucible. A Play in Four Acts. (1990)The Crucible. A Play in Four …The Content of the Form: Narrative Discourse and Historical Representation. (1987)The Content of the Form: Narr…I, Tituba, Black Witch of Salem (1986)I, Tituba, Black Witch of Sal…The empire writes back: theory and practice in post-colonial literatures (1990)The Black Atlantic: Modernity and Double Consciousness. (1997)Is the Post- in Postcolonial the Post- in Post-Soviet? Toward a Global Postcolonial Critique (2001)The Third Space of Sovereignty: The Postcolonial Politics of U.S.-Indigenous Relations (2007)More than culture: Structural racism, intersectionality theory, and immigrant health (2012)Culture and Imperialism (2017)Consumer Culture and Postmodernism (1993)Chapter 3 : Identity as an Analytic Lens for Research in Education (2000)Discourse Analysis as Theory and Method (2002)E Pluribus Unum?: The American Origins Narrative in Toni Morrison's A Mercy (2011)The Cool Crucible: Forensic Science and the Frailty of the Criminal Trial (2012)TikTok Tics: A Pandemic Within a Pandemic (2021)Writing the Vanishing Real: Hyperreality and Magical Realism (2008)BECOMING MODERN RACIALIZED SUBJECTS (2009)A History of the African American Novel (2017)"The Devil Hath Laughed at the Physicians": Witchcraft and Medical Practice in Seventeenth-Century New England (2000)Formulaic discourse and speech acts in the witchcraft trial records of Salem, 1692 (2008)Purloined Identity (2000)Beyond “Authenticity”: Migration and the Epistemology of “Voice” in Mary Prince’s History of Mary Prince and Maryse Condé’s I, Tituba (2009)Filming Black Voices and Stories: Slavery on America's Screens (2018)"Roots beyond Roots": Heteroglossia and Feminist Creolization in Myal and Crossing the Mangrove (2002)Postcolonial Imaginations: Approaching a “Fictionable” World through the Novels of Maryse Condé and Wilson Harris (2011)Physics of Blackness: Beyond the Middle Passage Epistemology (2015)The Cambridge Introduction to Narrative (2008)Analysis of Personal Narratives (2012)The Cambridge Introduction to Narrative (2020)Mother, Memory, History: Maternal Genealogies in Gayl Jones'sCorregidoraand Simone Schwarz-Bart'sPluie et vent sur T�lum�e Miracle (2003)Ethics as Re/Cognition in the Novels of Marie-Célie Agnant: Oral Knowledge, Cognitive Change, and Social Justice (2007)Québec-Haïti. Littérature transculturelle et souffle d’oralité (2007)
this work references cited by second hop

References

  • 1994The postmodern condition2,052 cited
  • 1987The Content of the Form: Narrative Discourse and Historical Representation.1,243 cited
  • 2003Postcolonial Theory and the United States: Race, Ethnicity, and Literature266 cited
  • 1986I, Tituba, Black Witch of Salem74 cited
  • 1990The Crucible. A Play in Four Acts.65 cited
  • 1997Tituba, Reluctant Witch of Salem: Devilish Indians and Puritan Fantasies.43 cited
  • 1998Conversations with Maryse Conde36 cited
  • 1993La parole des femmes : essai sur des romancières des Antilles de langue française36 cited
  • 1995Salem Story: Reading the Witch Trials of 1692.24 cited

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