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A landscape is under constant change and has a history that is intertwined with that of its inhabitants. This important Romantic notion, developed on the Continent around 1800, influenced the conception of the Danish landscape. It was absorbed by geology and archeology in the 1830s and 1840s, when these sciences developed new modes of research; and, through them, it influenced the genre of landscape painting. This essay explores the alliance of geology, archeology, and art by examining the landscape paintings of Johan Thomas Lundbye. Lundbye was engaged in the development of the genre of landscapes at the exact time geologists and archaeologists, such as Christian Jürgensen Thomsen, J.J.A. Worsaae and Georg Forchhammer, rewrote the long history of the Danish land and its people.
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