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On John Cage’s Late Music, Analysis, and the Model of Renga in "Two"
8 references·1 citing·21 second hop
On John Cage’s Late Music, Analysis, and the Model of Renga in "Two" (2009)On John Cage’s Late Music, Analysis, and …Repeating ourselves: American minimal music as cultural practice (2006)Repeating ourselves: American…The Cambridge Companion to John Cage (2002)The Cambridge Companion to Jo…Writings through John Cage's Music, Poetry, and Art (2001)Writings through John Cage's …Equivalence and Similarity in Pitch and Their Interaction with PCSet Theory (1995)Equivalence and Similarity in…The Completion of John Cage's Freeman Etudes (1994)The Completion of John Cage's…The Music of John Cage (1993)The Music of John CageA John Cage Reader: In Celebration of His 70th Birthday (1986)A John Cage Reader: In Celebr…Experimental Music: Cage and Beyond (1975)Experimental Music: Cage and …Aspects of Zen Buddhism as an Analytical Context for John Cage's Chance Music (2014)Aspects of Zen Buddhism as an…Perspectives of New Music (1963)Silence : lectures and writings (2011)Art as Experience (1934) (2026)The Cambridge History of American Music (1998)Henry Cowell and John Cage: Intersections and Influences, 1933–1941 (2006)CHANCE AND CERTAINTY: JOHN CAGE'S POLITICS OF NATURE (2013)A paper with an interest in rhythm (2002)Musical Witness and Holocaust Representation (2015)Music as cognition (2003)Prolongation of Harmonies Related to the Harmonic Series in Early Post-Tonal Music (2002)Combinatorial Space in Nineteenth- and Early Twentieth-Century Music Theory (2003)Dual Interval Space in Twentieth-Century Music (2003)Improvised Music after 1950: Afrological and Eurological Perspectives (2002)After Adorno : rethinking music sociology (2003)Music and the materialization of identities (2011)Goal-Directed Soul? Analyzing Rhythmic Teleology in African American Popular Music (2011)Music and Ethical Responsibility (2014)Music as a Technology of Surveillance (2018)Jamming the Reception: Ken Burns, Jazz, and the Problem of "America's Music" (2003)Determining the indeterminate1 (2007)Understanding Indeterminate Music through Performance: Cage's Solo for Piano (2013)
this work references cited by second hop

References

  • 1975Experimental Music: Cage and Beyond317 cited
  • 2006Repeating ourselves: American minimal music as cultural practice194 cited
  • 1993The Music of John Cage180 cited
  • 2002The Cambridge Companion to John Cage156 cited
  • 2001Writings through John Cage's Music, Poetry, and Art37 cited
  • 1995Equivalence and Similarity in Pitch and Their Interaction with PCSet Theory37 cited
  • 1986A John Cage Reader: In Celebration of His 70th Birthday23 cited
  • 1994The Completion of John Cage's Freeman Etudes11 cited

Cited by

  • 2014Aspects of Zen Buddhism as an Analytical Context for John Cage's Chance Music3 cited

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