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Visual Practices Across the University
12 references·6 citing·30 second hop
Visual Practices Across the University (2010)Visual Practices Across the UniversitySix Stories from the End of Representation (2008)Six Stories from the End of R…Rediscovering Aesthetics: Transdisciplinary Voices From Art History, Philosophy, and Art Practice (2008)Rediscovering Aesthetics: Tra…Neuroarthistory: From Aristotle and Pliny to Baxandall and Zeki (2008)Neuroarthistory: From Aristot…How to Use Your Eyes (2007)How to Use Your EyesTelepresence and Bio Art (2005)Telepresence and Bio ArtVisual Studies: A Skeptical Introduction (2003)Visual Studies: A Skeptical I…The Domain of Images (2001)The Domain of ImagesRutherford: Scientist Supreme (2001)Rutherford: Scientist SupremeColour and culture: Practice and meaning from antiquity to abstraction (1993)Colour and culture: Practice …Art and Physics: Parallel Visions in Space, Time and Light (1993)Art and Physics: Parallel Vis…The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat (1991)The Science of Art: Optical T…The Science of Art, Optical Themes in Western Art from Brunelleschi to Seurat (1991)The Science of Art, Optical T…Of Barrels and Pipes: Representation-as in Art and Science (2019)Of Barrels and Pipes: Represe…Communicating Academic Knowledge Beyond the Written Academic Text: An Auto-Ethnographic Analysis of the Mirror Palace of Democracy Installation Experiment (2019)Communicating Academic Knowle…Multimodal Communication in the University: Surveying Faculty Across Disciplines (2016)Multimodal Communication in t…Histochemical Seeing: Scientific Visualization and Art Education (2013)Histochemical Seeing: Scienti…Experiment, Theory, Representation: Robert Hooke’s Material Models (2010)Experiment, Theory, Represent…What Is Visual Knowledge, and What Is It Good For? Potential Ethnographic Lessons from the Field of Legal Practice (2007)What Is Visual Knowledge, and…Freedom and Responsibility: The Aesthetics of Free Musical Improvisation and Its Educational Implications—A View from Bakhtin (2011)Modernist futures: innovation and inheritance in the contemporary novel (2013)Daring to disentangle: towards a framework for art-science-technology collaborations (2022)Multimodality, “Reading”, and “Writing” for the 21st Century (2005)Geopolitics and visuality: Sighting the Darfur conflict (2007)Knowledge Practices in Design: The Role of Visual Representations as `Epistemic Objects' (2009)Meaning, Discourse, and Society (1999)Beyond Mimesis and Convention (2010)After Cultural Theory: The Power of Images, the Lure of Immediacy (2012)Rethinking Market Research: Putting People Back In (1997)U-Commerce: Expanding the Universe of Marketing (2002)Tobler's First Law of Geography: A Big Idea for a Small World? (2004)Colour as a semiotic mode: notes for a grammar of colour (2002)Chemical Education: Towards Research-based Practice (2003)Color realism and color science (2003)Mathematical discussion and perspective drawing in primary school (1996)The Social Construction of Space and Gender (2006)What is the Avatar? Fiction and Embodiment in Avatar-Based Singleplayer Computer Games (2006)Becoming-Animate: On the Performed Limits of "Human" (2006)The blade and the claw: science, art and the creation of the lab-borne monster (2008)Bio-art: the ethics behind the aesthetics (2009)Doing Images (2008)Toward an Ethical Rhetoric of the Digital Scientific Image: Learning From the Era When Science Met Photoshop (2014)Computational Formalism (2023)Fooling the Eyes: Trompe L'Oeil and Reverse Perspective (1999)Newton shows the light: a commentary on Newton (1672) ‘A letter … containing his new theory about light and colours…’ (2015)The Claude Glass: Use and Meaning of the Black Mirror in Western Art (2015)Visual Studies and the Iconic Turn (2008)The place of the literature review in grounded theory research (2010)Researching Visual Environmental Communication (2013)
this work references cited by second hop

References

  • 1993Colour and culture: Practice and meaning from antiquity to abstraction370 cited
  • 2003Visual Studies: A Skeptical Introduction346 cited
  • 1991The Science of Art, Optical Themes in Western Art from Brunelleschi to Seurat319 cited
  • 2001The Domain of Images172 cited
  • 1993Art and Physics: Parallel Visions in Space, Time and Light155 cited
  • 1991The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat90 cited
  • 2005Telepresence and Bio Art74 cited
  • 2008Six Stories from the End of Representation71 cited
  • 2008Rediscovering Aesthetics: Transdisciplinary Voices From Art History, Philosophy, and Art Practice59 cited
  • 2008Neuroarthistory: From Aristotle and Pliny to Baxandall and Zeki57 cited
  • 2001Rutherford: Scientist Supreme38 cited
  • 2007How to Use Your Eyes24 cited

Cited by

  • 2007What Is Visual Knowledge, and What Is It Good For? Potential Ethnographic Lessons from the Field of Legal Practice14 cited
  • 2016Multimodal Communication in the University: Surveying Faculty Across Disciplines14 cited
  • 2019Of Barrels and Pipes: Representation-as in Art and Science10 cited

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  • 2010Experiment, Theory, Representation: Robert Hooke’s Material Models9 cited
  • 2019Communicating Academic Knowledge Beyond the Written Academic Text: An Auto-Ethnographic Analysis of the Mirror Palace of Democracy Installation Experiment6 cited
  • 2013Histochemical Seeing: Scientific Visualization and Art Education5 cited