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Popular Music: The Key Concepts
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(1984)Social Foundations of Thought and Action : A Social Cognitive Theory (1985)Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. (1992)Too Sexualized to be Taken Seriously? Perceptions of a Girl in Childlike vs. Sexualizing Clothing (2012)Subordinates, Sex Objects, or Sapphires? Investigating Contributions of Media Use to Black Students’ Femininity Ideologies and Stereotypes About Black Women (2016)Revisiting the Jezebel Stereotype (2018)Club cultures: music, media and subcultural capital (1996)Discographies: dance music, culture and the politics of sound (2000)Sound Tracks: Popular Music Identity and Place (2002)Analysing the media discourses surrounding DJs as authentic performers and artists within electronic dance music culture magazines (2017)A Tale of Two (or #EverMore) Festivals: Electronic Music in a Transylvanian Town (2019)Popular Music, Technology, and the Changing Media Ecosystem (2020)The consequences of modernity (1990)Glocalization: Time-Space and Homogeneity-Heterogeneity (1995)Modernity at Large: Cultural Dimensions of Globalization. (1998)The success of hopelessness (2012)Rock Nacional and Revolutionary Politics: The Making of a Youth Culture of Contestation in Argentina, 1966-1976 (2014)Made in Korea: Studies in Popular Music (2017)After the Great Divide (1986)Time Passages: Collective Memory and American Popular Culture. (1991)Theories of social remembering (2003)‘It’s a man’s man’s man’s world’: Music groupies and the othering of women in the world of rock (2017)Musical genius and/or nasty piece of work? Dealing with violence and sexual assault in accounts of popular music’s past (2018)Sexual harassment and violence at Australian music festivals: Reporting practices and experiences of festival attendees (2020)Resistance Through Rituals: Youth Subcultures in Post-War Britain (1976)Research Methods for Business Students (2003)Research Methods for Business (2008)The Business of DIY. Characteristics, motives and ideologies of micro-independent record labels (2017)The educational backgrounds of DIY musicians (2021)Digital transformation and the DIY artist: Balancing artistic integrity and economic sustainability in the digital domain (2024)The Presentation of Self in Everyday Life. (1956)Situated Learning (1991)Situated Learning: Legitimate Peripheral Participation. (1994)Musikkfestivalens kollektive effervesens (2017)Music Festival Capitalism (2021)Contagious behaviour or not? Tourists’ skills and practices in a Norwegian church (2023)Outline of a Theory of Practice (1977)Constructing grounded theory (2014)“You’re Not Supposed to Be into Rock Music”: Authenticity Maneuvering in a White Configuration (2020)The Sex Playlist: How Race and Ethnicity Mediate Musically “Composed” Sexual Self-Formation (2020)Discipline and Punish: The Birth of the Prison (1978)Distinction: A Social Critique of the Judgement of Taste. (1985)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Datafication of #MeToo: Whiteness, Racial Capitalism, and Anti-Violence Technologies (2021)(Not) Paying for Diversity: Repugnant Market Concerns Associated with Transactional Approaches to Diversity Recruitment (2023)Data Worlds: An Introduction (2023)
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  • 2010Sex and the Spectacle of Music Videos: An Examination of the Portrayal of Race and Sexuality in Music Videos94 cited
  • 2011Voice, place and genre in popular song performance185 cited
  • 2011Grunge, Riot Grrrl and the Forgetting of Women in Popular Culture61 cited
  • 2010The Birth of “Rok”: Cultural Imperialism, Nationalism, and the Glocalization of Rock Music in South Korea, 1964–197556 cited
  • 2019Technological Elites, the Meritocracy, and Postracial Myths in Silicon Valley46 cited
  • 2015The social rhythm of the rock music festival29 cited
  • 2010The DIY artist: issues of sustainability within local music scenes26 cited
  • 2010'Beats apart': a comparative history of youth culture and popular music in Liverpool and Newcastle upon Tyne, 1956 - 196517 cited
  • 2019“Maybe it’s … skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content15 cited
  • 2011Festival Fever and International DJs: The Changing Shape of DJ Culture in Sydney’s Commercial Electronic Dance Music Scene15 cited
  • 2016Politics and Power in the Record Industry: The Beatles, the Beach Boys, and the Album as Art Form14 cited
  • 2016Off the Charts: The Implications of Incorporating Streaming Data into the Charts13 cited
  • 2024Digital Flows12 cited

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  • 2013The singer-songwriter on stage: Reconciling the artist and the performer12 cited
  • 2012Mapping popular music heritage in Slovenia11 cited
  • 2018Popular music in the educational space of Polish preschools – the teacher’s perspective10 cited