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Applications of Raman spectroscopy in art and archaeology
10 references·16 citing·51 second hop
Applications of Raman spectroscopy in art and archaeology (2012)Applications of Raman spectroscopy in art…The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields (2012)The on‐site/remote Raman anal…The first in situ micro‐Raman spectroscopic analysis of prehistoric cave art of Rouffignac St‐Cernin, France (2012)The first in situ micro‐Raman…The characterization of Sn‐based corrosion products in ancient bronzes: a Raman approach (2012)The characterization of Sn‐ba…Raman investigation of artificial patinas on recent bronze – Part I: climatic chamber exposure (2012)Raman investigation of artifi…Micro‐Raman spectroscopy of carbon‐based black pigments (2012)Micro‐Raman spectroscopy of c…Identification of synthetic organic pigments: the role of a comprehensive digital Raman spectral library (2012)Identification of synthetic o…Field Raman analysis to diagnose the conservation state of excavated walls and wall paintings in the archaeological site of Pompeii (Italy) (2012)Field Raman analysis to diagn…The first spectroscopic analysis of Ethiopian prehistoric rock painting (2011)The first spectroscopic analy…Raman spectroscopy in art and archaeology (2006)Raman spectroscopy in art and…Raman spectroscopy in art and archaeology (2004)Raman spectroscopy in art and…Optimizing multiple non-invasive techniques (PXRF, pMS, IA) to characterize coarse-grained igneous rocks used as building stones (2021)Optimizing multiple non-invas…Time through colors: A kinetic model of red vermilion darkening from Raman spectra (2020)Time through colors: A kineti…Making visible the invisible. A microarchaeology approach and an Archaeology of Color perspective for rock art paintings from the southern cone of South America (2020)Making visible the invisible.…Applications of Raman spectroscopy in art and archaeology (2020)Applications of Raman spectro…Application of Raman Spectroscopy to Ancient Materials: Models and Results from Archaeometric Analyses (2020)Application of Raman Spectros…Applications of Raman spectroscopy in art and archaeology (2019)Applications of Raman spectro…Portable and laboratory analytical instruments for the study of materials, techniques and environmental impacts in mediaeval mural paintings (2018)Portable and laboratory analy…Raman analysis of Gothic wall paintings in the apse of the Santiago Apóstol church in Alcazarén (2016)Raman analysis of Gothic wall…Applications of Raman spectroscopy in art and archaeology (2016)Applications of Raman spectro…Another beauty of analytical chemistry: chemical analysis of inorganic pigments of art and archaeological objects (2016)Another beauty of analytical …Identification of artistic materials in paintings and drawings by Raman spectroscopy: some challenges and future outlook (2015)Identification of artistic ma…Raman spectroscopic study of the degradation of a middle age mural painting: the role of agricultural activities (2014)Raman spectroscopic study of …Gold in the Alhambra: study of materials, technologies, and decay processes on decorative gilded plasterwork (2014)Gold in the Alhambra: study o…Applications of Raman spectroscopy in art and archaeology (2014)Applications of Raman spectro…Determination and imaging of binder remnants and aggregates in historic cement stone by Raman microscopy (2013)Determination and imaging of …Discovery of Jadeite-Jade in Guatemala Confirmed by Non-Destructive Raman Microscopy (2002)Discovery of Jadeite-Jade in …Analytical Imaging Studies Clarifying the Process of the Darkening of Vermilion in Paintings (2005)Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis (2006)Green pigments of the Pompeian artists’ palette (2008)In situ analysis with portable Raman and ED‐XRF spectrometers for the diagnosis of the formation of efflorescence on walls and wall paintings of the Insula IX 3 (Pompeii, Italy) (2014)Critical evaluation of portable Raman spectrometers: From rock outcrops and planetary analogs to cultural heritage – A review (2021)In situ Raman spectroscopy for cultural heritage studies (2021)Morphology and mechanisms of formation of natural patinas on archaeological Cu–Sn alloys (1998)Electrochemical and spectroscopic characterizations of patinas formed on an archaeological bronze coin (2005)Composition and electrochemical properties of natural patinas of outdoor bronze monuments (2007)On the degradation factors of an archaeological bronze bowl belonging to a private collection (2014)Multianalytical study of corrosion layers in some archaeological copper alloy artefacts (2015)Characterization of typical patinas simulating bronze corrosion in outdoor conditions (2017)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them? (2007)Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)Spectroscopy of Palaeolithic rock paintings from the Tito Bustillo and El Buxu Caves, Asturias, Spain (2011)Identification of pigments used in rock art paintings in Gode Roriso-Ethiopia using Micro-Raman spectroscopy (2013)In search of the optimum Raman/IR signatures of potential ingredients used in San/Bushman rock art paint (2013)Corrosion of iron archaeological artefacts in soil: characterisation of the corrosion system (2004)Raman microscopy in archaeological science (2004)Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art (2006)Far infrared and Raman spectroscopy analysis of inorganic pigments (2008)XRF, μ-XRD and μ-spectroscopic techniques for revealing the composition and structure of paint layers on polychrome sculptures after multiple restorations (2011)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)A study of amber and copal samples using FT-Raman spectroscopy (2001)Structural characterization of corrosion products on archaeological iron: an integrated analytical approach to establish corrosion forms (2004)Micro Raman spectroscopy used for the study of corrosion products on copper alloys: study of the chemical composition of artificial patinas used for restoration purposes (2005)μ-XRF/μ-RS vs. SR μ-XRD for pigment identification in illuminated manuscripts (2008)Recent progress in instrumental techniques for architectural heritage materials (2019)Raman spectroscopy of selected copper minerals of significance in corrosion (2003)Spectroscopic analysis of corrosion products in a bronze cauldron from the Late Iberian Iron Age (2018)New Insights into Synthetic Copper Greens: The Search for Specific Signatures by Raman and Infrared Spectroscopy for Their Characterization in Medieval Artworks (2019)Raman spectroscopic database of azo pigments and application to modern art studies (2000)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)A multi-analytical study on the photochemical degradation of synthetic organic pigments (2015)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Differentiation of antique ceramics from the Raman spectra of their coloured glazes and paintings (2001)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Characterisation of a portable Raman spectrometer for in situ analysis of art objects (2013)Analytical chemistry in the field of cultural heritage (2015)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts (2018)Raman spectroscopic analysis of pigments and substrata in prehistoric rock art (2000)Analysis of rock art painting and technology of Palaeolithic painters (2003)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)First use of portable system coupling X-ray diffraction and X-ray fluorescence for in-situ analysis of prehistoric rock art (2014)Selection and Use of Manganese Dioxide by Neanderthals (2016)
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References

  • 2012Micro‐Raman spectroscopy of carbon‐based black pigments186 cited
  • 2012Identification of synthetic organic pigments: the role of a comprehensive digital Raman spectral library170 cited
  • 2012The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields168 cited
  • 2012The characterization of Sn‐based corrosion products in ancient bronzes: a Raman approach96 cited
  • 2004Raman spectroscopy in art and archaeology86 cited
  • 2012The first in situ micro‐Raman spectroscopic analysis of prehistoric cave art of Rouffignac St‐Cernin, France78 cited
  • 2012Field Raman analysis to diagnose the conservation state of excavated walls and wall paintings in the archaeological site of Pompeii (Italy)77 cited
  • 2006Raman spectroscopy in art and archaeology77 cited
  • 2012Raman investigation of artificial patinas on recent bronze – Part I: climatic chamber exposure73 cited
  • 2011The first spectroscopic analysis of Ethiopian prehistoric rock painting71 cited

Cited by

  • 2002Discovery of Jadeite-Jade in Guatemala Confirmed by Non-Destructive Raman Microscopy58 cited
  • 2015Identification of artistic materials in paintings and drawings by Raman spectroscopy: some challenges and future outlook53 cited
  • 2020Making visible the invisible. A microarchaeology approach and an Archaeology of Color perspective for rock art paintings from the southern cone of South America

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34 cited
  • 2014Raman spectroscopic study of the degradation of a middle age mural painting: the role of agricultural activities31 cited
  • 2018Portable and laboratory analytical instruments for the study of materials, techniques and environmental impacts in mediaeval mural paintings31 cited
  • 2014Applications of Raman spectroscopy in art and archaeology30 cited
  • 2019Applications of Raman spectroscopy in art and archaeology27 cited
  • 2020Application of Raman Spectroscopy to Ancient Materials: Models and Results from Archaeometric Analyses26 cited
  • 2021Optimizing multiple non-invasive techniques (PXRF, pMS, IA) to characterize coarse-grained igneous rocks used as building stones24 cited
  • 2016Another beauty of analytical chemistry: chemical analysis of inorganic pigments of art and archaeological objects24 cited
  • 2020Time through colors: A kinetic model of red vermilion darkening from Raman spectra24 cited
  • 2014Gold in the Alhambra: study of materials, technologies, and decay processes on decorative gilded plasterwork23 cited
  • 2013Determination and imaging of binder remnants and aggregates in historic cement stone by Raman microscopy23 cited
  • 2020Applications of Raman spectroscopy in art and archaeology21 cited
  • 2016Applications of Raman spectroscopy in art and archaeology19 cited
  • 2016Raman analysis of Gothic wall paintings in the apse of the Santiago Apóstol church in Alcazarén19 cited