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The hand, its mechanism and vital endowments as evincing design
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Cited by

  • 2010Style and non‐style in anatomical illustration: From Renaissance Humanism to Henry Gray71 cited
  • 1980God and natural selection: The Darwinian idea of design64 cited
  • 2011The Beauty of Anatomy: Visual Displays and Surgical Education in Early-Nineteenth-Century London57 cited
  • 2017Thomas Hardy and Animals47 cited
  • 1976TOOLMAKING, HUNTING, AND THE ORIGIN OF LANGUAGE36 cited
  • 1916Arboreal man29 cited
  • 2001Darwin, Cuvier and Geoffroy: comments and questions.16 cited
  • 2006Disputed discovery: vivisection and experiment in the 19th century13 cited
  • 2016The Hand and the Mind, the Man and the Monster11 cited
  • 1986The Principle of Plenitude and Natural Theology in Nineteenth-Century Britain10 cited
  • 2014Charles Bell’s seeing hand: Teaching anatomy to the senses in Britain, 1750–18409 cited
  • 2010Thomas Henry Huxley and the reptile to bird transition8 cited
  • 2010Sources of the communicative body0 cited

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