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Vaughan Williams and the Vision of Albion
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Vaughan Williams and the Vision of Albion (1990)Vaughan Williams and the Vision of AlbionNationalisms, Modernisms and Masculinities: Strategies of Displacement in Vaughan Williams’s Reading of Walt Whitman (2016)Nationalisms, Modernisms and …The composer and society: family, politics, nation (2013)The composer and society: fam…The Cambridge Companion to Vaughan Williams (2013)The Cambridge Companion to Va…Music for stage and film (2013)Music for stage and filmFolksong arrangements, hymn tunes and church music (2013)Folksong arrangements, hymn t…The Accessibility of Music: Participation, Reception, and Contact (2012)The Accessibility of Music: P…Styles and languages around the turn of the century (2001)Styles and languages around t…The lark ascending: monument to a radical pastoral (1991)The lark ascending: monument …English Culture and the Decline of the Industrial Spirit, 1850-1980 (1982)Englishness: Politics and Culture 1880-1920 (1988)Fakesong. The Manufacture of British 'Folksong' 1700 to the Present Day (1988)The Structure of Atonal Music (1973)Stravinsky and the Russian Traditions (1996)Defining Russia Musically (1997)Introduction: trajectories of twentieth-century music (2004)Scoring the Familiar and Unfamiliar in Howard Shore’s The Lord of the Rings (2018)Public Moralists (1991)The Rise of Professional Society (2003)The Music of the English Parish Church (1980)Popular Music in England, 1840-1914. A Social History (1989)The envy of the world: Fifty years of the BBC Third Programme and Radio 3, 1946-1996 (1996)The rivals of Aristophanes : studies in Athenian old comedy (2000)Between Men (1985)Between Men: English Literature and Male Homosocial Desire. (1985)Nineteenth-century music (1989)The descent of man and selection in relation to sex (1907)The Presentation of Self in Everyday Life. (1956)The Visible Evidence of DiY Ethics: Music, Publicity and Technologies of (In)Visibility in Glasgow (2016)Distinction: A Social Critique of the Judgement of Taste* (2018)Making an English Voice: Performing National Identity during the English Musical Renaissance (2016)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)
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Cited by

  • 2013The Cambridge Companion to Vaughan Williams45 cited
  • 1991The lark ascending: monument to a radical pastoral20 cited
  • 2012The Accessibility of Music: Participation, Reception, and Contact17 cited
  • 2016Nationalisms, Modernisms and Masculinities: Strategies of Displacement in Vaughan Williams’s Reading of Walt Whitman16 cited
  • 2013Folksong arrangements, hymn tunes and church music15 cited
  • 2001Styles and languages around the turn of the century6 cited
  • 2013Music for stage and film3 cited
  • 2013The composer and society: family, politics, nation3 cited

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