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Making the Mummies Dance: Inside the Metropolitan Museum of Art
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Making the Mummies Dance: Inside the Metropolitan Museum of Art (1995)Making the Mummies Dance: Inside the Metr…El espacio funcional: públicos y audiencias en el museo posmoderno (2021)El espacio funcional: público…Itineraries, iconoclasm, and the pragmatics of heritage (2020)Itineraries, iconoclasm, and …Aesthetics as Philosophy of Perception (2016)Aesthetics as Philosophy of P…The Antiquities Market: It's All in a Price (2014)The Antiquities Market: It's …Exhibitions as sub-brands: an exploratory study (2014)Exhibitions as sub-brands: an…The Illicit Antiquities Trade as a Transnational Criminal Network: Characterizing and Anticipating Trafficking of Cultural Heritage (2013)The Illicit Antiquities Trade…The Brooklyn Museum: An Internship in Copyright Clearance (2011)The Brooklyn Museum: An Inter…Negotiating for the Past (2007)Negotiating for the PastThe Risk of Historical Artefacts in Travel: The Construction of Risk in the International Travelling Exhibition (2006)The Risk of Historical Artefa…Re-Readings in Arts Management (2000)Re-Readings in Arts ManagementThe Birth of the Museum: History, Theory, Politics (1995)Keywords: A Vocabulary of Culture and Society (1977)The culture industry : selected essays on mass culture (1991)Understanding Organizations (2021)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Crime and Everyday Life (2010)Nazi memorabilia, dark heritage and treasure hunting as “alternative” tourism: Understanding the fascination with the material remains of World War II in Northern Finland (2016)Intermediation and Resale in Networks (2018)When TikTok Discovered the Human Remains Trade: A Case Study (2022)Case Study Research: Design and Methods (1984)Qualitative Research and Evaluation Methods (3rd ed.) (2003)Case Study Research (2004)Brands in the arts and culture sector (2014)Painting the Nation (2015)Tainted museums: ‘selling out’ cultural institutions (2015)The Market for "Lemons": Quality Uncertainty and the Market Mechanism (1970)The Field of Cultural Production: Essays on Art and Literature (1996)Culture and Public Action (2004)The sale of heritage on eBay: Market trends and cultural value (2020)Transiting Through the Antiquities Market (2021)The Field of Cultural Production (1994)Sociology Beyond Societies (2001)RISK AND BLAME (2010)Attitudinal effects of mere exposure. (1968)Culture and the Self: Implications for Cognition, Emotion, and Motivation (1991)Action recognition in the premotor cortex (1996)Autonomy and Aesthetic Engagement (2019)Games (2020)How the Show Goes On: Using the Aesthetic Experience of Collective Performance to Adapt while Coordinating (2020)The Social Life of Things (1986)Contingency, Irony, and Solidarity (1989)Vibrant Matter (2010)The Economics of Art Museums (1991)The New Museology (2011)Non-luoghi. Introduzione a una antropologia della surmodernità, di Marc Augé, Eleuthera, 2009 (2013)A History of Archaeological Thought. By Bruce G. Trigger. (1992)Exhibiting Cultures: The Poetics and Politics of Museum Display. (1992)A History of American Archaeology (1994)Archaeologists and the Military in Iraq, 2003–2008: Compromise or Contribution? (2008)Monuments and Memory: Architecture and Visual Culture in Ancient Anatolian History (2012)Essential Excavation Experts: Alienation and Agency in the History of Archaeological Labor (2019)
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Cited by

  • 2016Aesthetics as Philosophy of Perception307 cited
  • 2013The Illicit Antiquities Trade as a Transnational Criminal Network: Characterizing and Anticipating Trafficking of Cultural Heritage178 cited
  • 2007Negotiating for the Past54 cited
  • 2014The Antiquities Market: It's All in a Price14 cited
  • 2014Exhibitions as sub-brands: an exploratory study11 cited
  • 2000Re-Readings in Arts Management10 cited
  • 2020Itineraries, iconoclasm, and the pragmatics of heritage10 cited
  • 2006The Risk of Historical Artefacts in Travel: The Construction of Risk in the International Travelling Exhibition2 cited
  • 2021El espacio funcional: públicos y audiencias en el museo posmoderno2 cited
  • 2011The Brooklyn Museum: An Internship in Copyright Clearance1 cited

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