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Bahlabelelelani – Why Do They Sing?: Gender and Power in Contemporary Women’s Songs
1 references·2 citing·11 second hop
Bahlabelelelani – Why Do They Sing?: Gender and Power in Contemporary Women’s Songs (2021)Bahlabelelelani – Why Do They Sing?: Gend…“Zilizopendwa”1: Kayamba Afrika's use of cover versions, remix and sampling in the (re)membering of Kenya (2005)“Zilizopendwa”1: Kayamba Afri…Ukuhlaziywa kwemizwa ecashile equkethwe amagama emizi yakwaMkhwanazi KwaSomkhele (2015)Ukuhlaziywa kwemizwa ecashile…‘Seyiyakhuluma’: IsiZulu as a new language for political and corporate mass communication through mobile telephony (2012)‘Seyiyakhuluma’: IsiZulu as a…Domination and the arts of resistance: hidden transcripts (1991)Communication, Power and Counter-power in the Network Society (2007)Domination and the Arts of Resistance (2017)Orality and Literacy (1982)Between Memory and History: Les Lieux de Mémoire (1989)How Societies Remember (1989)(Re)Configuring the City: The Mapping of Places and People in Contemporary Kenyan Popular Song Texts (2006)The Language of Sex and HIV/AIDS among University Students in Kenya (2026)Being and Time (1927)Truth and Method (1960)Practical Research: Planning and Design (1990)
this work references cited by second hop

References

  • 2005“Zilizopendwa”1: Kayamba Afrika's use of cover versions, remix and sampling in the (re)membering of Kenya21 cited

Cited by

  • 2015Ukuhlaziywa kwemizwa ecashile equkethwe amagama emizi yakwaMkhwanazi KwaSomkhele6 cited
  • 2012‘Seyiyakhuluma’: IsiZulu as a new language for political and corporate mass communication through mobile telephony2 cited

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