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Jean-Philippe Rameau: his life and work,
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Jean-Philippe Rameau: his life and work, (1969)Jean-Philippe Rameau: his life and work,Saint-Saëns and the Stage (2019)Saint-Saëns and the StageThe Renaissance (2015)The RenaissanceThe Cambridge Companion to French Music (2015)The Cambridge Companion to Fr…Music under Louis XIII and XIV, 1610–1715 (2015)Music under Louis XIII and XI…From abbey to cathedral and court: music under the Merovingian, Carolingian and Capetian kings in France until Louis IX (2015)From abbey to cathedral and c…Music, Modernity, and God (2013)Music, Modernity, and GodDramatic Expression in Rameau's Tragédie en Musique: Between Tradition and Enlightenment (2013)Dramatic Expression in Rameau…Disquieting Conversations: Bach, Modernity, and God (2013)Disquieting Conversations: Ba…Rameau’s Changing Views on Supposition and Suspension (2012)Rameau’s Changing Views on Su…What recitatives owe to the airs: a look at the dialogue scene, Act I scene 2 of Rameau's Hippolyte et Aricie – version with airs (1999)What recitatives owe to the a…Patrons and Pasquinades: Rameau in the 1730s (1988)Patrons and Pasquinades: Rame…Über Sinn und Bedeutung (1892)The New Grove Dictionary of Music and Musicians (1981)The harmonic implications of the non-harmonic tones in the four-part chorales of Johann Sebastian Bach (2013)ON FEDELE FENAROLI'S PEDAGOGY: AN UPDATE (2018)Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers (2019)The Carolingians and the Written Word (1989)Listening in Paris (1995)The Proprietary Church in the Medieval West (2006)Love and its Critics (2017)Philosophical Investigations. (1954)Personal Knowledge: Towards a Post-Critical Philosophy (1959)Metaphors We Live By (2003)Carolingian culture: Emulation and innovation (1995)Contingency, Irony, and Solidarity (1989)Tinjauan Historis Perkembangan Musik Gerejawi didalam Gereja-Gereja Independen (Free Churches) dan Implikasinya bagi Penatalayanan Musik Gerejawi di Masa Kini (1) (2014)TheoArtistry, and a Contemporary Perspective on Composing Sacred Choral Music (2017)Music and Spirituality (2024)Constructing the Oriental ‘Other’: Saint-Saëns'sSamson et Dalila (1991)Musical exoticism: images and reflections (2009)Feminine Endings: Music, Gender, and Sexuality (1992)Rameau and Musical Thought in the Enlightenment (1994)French Baroque music from Beaujoyeulx to Rameau (1998)Rameau reading Lully: Meaning and system in Rameau's recitative tradition (1994)Opera in the Age of Rousseau: Music, Confrontation, Realism (2012)Dance and Drama in French Baroque Opera (2016)Olivier Halanzier and the Operatic Museum in Late Nineteenth-Century France (2015)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)
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Cited by

  • 2013Music, Modernity, and God53 cited
  • 2015The Cambridge Companion to French Music33 cited
  • 1988Patrons and Pasquinades: Rameau in the 1730s30 cited
  • 2015The Renaissance21 cited
  • 2013Disquieting Conversations: Bach, Modernity, and God17 cited
  • 2012Rameau’s Changing Views on Supposition and Suspension16 cited
  • 2015Music under Louis XIII and XIV, 1610–171513 cited
  • 2015From abbey to cathedral and court: music under the Merovingian, Carolingian and Capetian kings in France until Louis IX12 cited
  • 2019Saint-Saëns and the Stage7 cited
  • 2013Dramatic Expression in Rameau's Tragédie en Musique: Between Tradition and Enlightenment4 cited
  • 1999What recitatives owe to the airs: a look at the dialogue scene, Act I scene 2 of Rameau's Hippolyte et Aricie – version with airs3 cited

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