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Verbatim Theatre, Media Relations and Ethics
5 references·5 citing·33 second hop
Verbatim Theatre, Media Relations and Ethics (2007)Verbatim Theatre, Media Relations and Eth…Putting the Document into Documentary: An Unwelcome Corrective? (2006)Putting the Document into Doc…Bodies of Evidence (2006)Bodies of EvidenceTrue stories?: documentary drama on radio, screen and stage (1991)True stories?: documentary dr…The Content of the Form: Narrative Discourse and Historical Representation (1988)The Content of the Form: Narr…‘Verbatim Theatre’: Oral History and Documentary Techniques (1987)‘Verbatim Theatre’: Oral Hist…“I Felt I Got to Know Everyone”: How News on Stage Combines Theatre and Journalism for a Live Audience (2022)“I Felt I Got to Know Everyon…Headphone Verbatim Theatre: Methods, Histories, Genres, Theories (2013)Headphone Verbatim Theatre: M…Acting In/Action: Staging Human Rights in debbie tucker green’s Royal Court Plays (2013)Acting In/Action: Staging Hum…Transatlantic Miscommunication in David Hare’s Drama Stuff Happens (2012)Transatlantic Miscommunicatio…The lives of our mad mothers: Aging and contemporary performance (2012)The lives of our mad mothers:…Writing and Difference (1980)The Politics and Poetics of Camp (1996)Liveness: performance in a mediatized culture (2008)How Voters Feel (2013)Theorizing Sound Writing (2017)‘If you can't beat them, be them!’ – everyday experiences and ‘performative agency’ among undocumented migrant youth in South Africa (2019)The Life Review: An Interpretation of Reminiscence in the Aged (1963)Disjuncture and Difference in the Global Cultural Economy (1990)Colonial Discourse and Post-Colonial Theory: A Reader (1995)Precarious Life: The Powers of Mourning and Violence (2004)Witnessing and Testimony (2004)Postdramatic Theatre (2006)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Using thematic analysis in psychology (2006)The Presentation of Self in Everyday Life (2023)Performing History: Theatrical Representations of the Past in Conetmporary Theatre (2000)Dramaturgy of the Real on the World Stage (2010)After the Fall: American Literature Since 9/11 (2011)Suicide Determination and the Professional Authority of Medical Examiners (2005)Professions and Their Work (2008)Introduction: An Anthropology of Absence (2010)The Politics and Poetics of Listening: Attending Headphone Verbatim Theatre in Post-Cronulla Australia (2014)The micro-political and the socio-structural in applied theatre with homeless youth (2016)Performing to understand: cultural wealth, precarity, and shelter-dwelling youth (2017)The use of research‐based theatre in a project related to metastatic breast cancer (2000)To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire (2013)Immersion, Embodiment, and Imagination: Moving Beyond an Aesthetic of Objectivity in Research-Informed Performance in Health (2014)Getting a life: The emergence of the life story in adolescence. (2000)Analysis of Personal Narratives (2012)Five Misunderstandings About Case-Study Research (2016)Literature and cinema (2005)The Cambridge History of Twentieth-Century English Literature (2005)Toward a Poetics of Theatre and Public Events: In the Case of Stephen Lawrence (2006)
this work references cited by second hop

References

  • 1988The Content of the Form: Narrative Discourse and Historical Representation1,377 cited
  • 2006Bodies of Evidence152 cited
  • 1987‘Verbatim Theatre’: Oral History and Documentary Techniques133 cited
  • 1991True stories?: documentary drama on radio, screen and stage99 cited
  • 2006Putting the Document into Documentary: An Unwelcome Corrective?72 cited

Cited by

  • 2013Headphone Verbatim Theatre: Methods, Histories, Genres, Theories25 cited
  • 2012The lives of our mad mothers: Aging and contemporary performance11 cited
  • 2013Acting In/Action: Staging Human Rights in debbie tucker green’s Royal Court Plays8 cited
  • 2022“I Felt I Got to Know Everyone”: How News on Stage Combines Theatre and Journalism for a Live Audience8 cited
  • 2012Transatlantic Miscommunication in David Hare’s Drama Stuff Happens6 cited

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