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“The Sole Guardians of the Art Inheritance of Asia”: Japan and China at the 1904 St. Louis World's Fair
16 references·2 citing·30 second hop
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this work references cited by second hop

References

  • 1995Nations and nationalism since 1780 programme, myth, reality4,178 cited
  • 1988The Politics and Poetics of Transgression3,290 cited
  • 1992Colonialism and Culture1,215 cited
  • 1990The search for modern China693 cited
  • 1998Learning to Divide the World: Education at Empire's End647 cited
  • 2017The Rhetoric of Empire: Colonial Discourse in Journalism, Travel Writing, and Imperial Administration619 cited
  • 2017All the World's a Fair: Visions of Empire at American International Expositions, 1876-1916447 cited
  • 1989Ephemeral vistas: the expositions universelles, great exhibitions, and world's fairs, 1851-1939295 cited
  • 2021Japan's Modern Myths248 cited
  • 1977The Age of Capital, 1848-1875231 cited
  • 1900Bushido: The Soul of Japan131 cited
  • 1906The Book of Tea117 cited
  • 1905The ideals of the East : with special reference to the art of Japan77 cited
  • 1973Pacific Estrangement. Japanese and American Expansion, 1897-1911.34 cited
  • 1990On Idealism and Realism in the Thought of Okakura Tenshin29 cited
  • 1904The awakening of Japan

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25 cited

Cited by

  • 2015Conflicting Politics and Contesting Borders: Exhibiting (Japanese) Manchuria at the Chicago World's Fair, 1933–348 cited
  • 2006"Fair Japan": On Art and War at theSaint Louis World's Fair, 19047 cited