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LOCAL MUSICIANS BUILDING GLOBAL AUDIENCES
16 references·6 citing·39 second hop
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References

  • 2000Bowling alone: the collapse and revival of American community28,790 cited
  • 2000Social Capital in the Creation of Human Capital21,666 cited
  • 1980Outline of a Theory of Practice.14,545 cited
  • 1998Social Capital: Its Origins and Applications in Modern Sociology12,032 cited
  • 2007The Benefits of Facebook “Friends:” Social Capital and College Students’ Use of Online Social Network Sites9,932 cited
  • 2002The rise of the creative class: and how it's transforming work, leisure, community and everyday life6,488 cited
  • 1963Outsiders; studies in the sociology of deviance5,260 cited
  • 1990Complex Organizations: A Critical Essay2,218 cited
  • 2001Social Implications of the Internet2,040 cited
  • 2001Physical Place and Cyberplace: The Rise of Personalized Networking1,491 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
  • 2007The Effect of File Sharing on Record Sales: An Empirical Analysis865 cited
  • 2000The making of American audiences: from stage to television, 1750-1990183 cited
  • 2002MUSIC THAT MOVES: POPULAR MUSIC, DISTRIBUTION AND NETWORK TECHNOLOGIES157 cited
  • 2005On the reproduction of the musical economy after the Internet

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145 cited
  • 2008Making Friends with Jarvis Cocker: Music Culture in the Context of Web 2.0135 cited
  • Cited by

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    • 2012Technology and Retirement Life: A Systematic Review of the Literature on Older Adults and Social Media15 cited
    • 2015The ties that bind? Online musicians and their fans11 cited
    • 2015White Faces in Intimate Spaces: Jamaican Popular Music in Global Circulation6 cited
    • 2010Noise in action: the sonic (de)construction of art worlds3 cited