Being a Body in a Cultural Way: Understanding the Cultural in the Embodiment of Dance

Sally Ann Ness

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Arts and Performance Studies Diversity and Impact of Dance Corporeality, Perception, and Education

Abstract

This chapter contains section titled: Introduction Embodiment and Dance Ethnography Observation-driven Descriptions Participation-driven Descriptions Conclusion

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References

1996Embodiment and Experience: The Existential Ground of Culture and Self 1991Being-in-the-world: a commentary on Heidegger's Being and time, Division I 1979Ecology, Meaning, and Religion 1995Dancing with the devil: society and cultural poetics in Mexican-American south Texas 1996Embodying colonial memories: spirit possession, power and the Hauka in West Africa 1991Sharing the dance: contact improvisation and American culture 1977The Sorrow of the Lonely and the Burning of the Dancers 1996Samba: resistance in motion

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2007Grasping the Phenomenology of Sporting Bodies 2006‘Just Crumbling to Bits’? An Exploration of the Body, Ageing, Injury and Career in Classical Ballet Dancers 2010Performing Taste at Wine Festivals: A Somatic Layered Account of Material Culture 2018EMBODIED SIGNS: READING GESTURE AND POSTURE IN CLASSIC MAYA DANCE 2006Embodied Engagement in Arts Research 2014Embodied Traditions: Gujarati (Dance) Practices of Garba and Raas in the UK context

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