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The Playwright as Perfect Wagnerite: Motifs from the Music Dramas in the Theatre of Bernard Shaw
4 references·0 citing·12 second hop
The Playwright as Perfect Wagnerite: Motifs from the Music Dramas in the Theatre of Bernard Shaw (1979)The Playwright as Perfect Wagnerite: Moti…Wagner's ‘Ring’ and Its Symbols (1963)Wagner's ‘Ring’ and Its Symbo…Richard Wagner: The Man, His Mind and His Music (1962)Richard Wagner: The Man, His …Complete Plays With Prefaces (1962)Complete Plays With PrefacesSämtliche Schriften und Dichtungen (1871)Sämtliche Schriften und Dicht…Richard Wagner: Self-Promotion and the Making of a Brand (2010)A History of Singing (2012)Nietzsche on Tragedy (2016)Richard Wagner and Weber's "Euryanthe" (1986)Syphilis, sin and the social order: Richard Wagner'sParsifal (1995)Untimely Reflections on Operatic Echoes: (2005)‘Universal’ music and the case of death1 (1993)Reading and staging again (1998)“Leitmotif” (2013)Performing and the Real Thing in the Postmodern Museum (1995)The Cambridge History of Literary Criticism (2013)Women and literary criticism (2013)
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References

  • 1962Complete Plays With Prefaces80 cited
  • 1962Richard Wagner: The Man, His Mind and His Music74 cited
  • 1871Sämtliche Schriften und Dichtungen36 cited
  • 1963Wagner's ‘Ring’ and Its Symbols23 cited

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