SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Emotional Curves and Linear Narratives
16 references·1 citing·26 second hop
Emotional Curves and Linear Narratives (2006)Emotional Curves and Linear NarrativesStorytelling: classical Hollywood cinema and classical narrative (2013)Storytelling: classical Holly…Narration in the Fiction Film (2013)Narration in the Fiction FilmContemporary Hollywood Cinema (2013)Contemporary Hollywood CinemaClosely Watched Films: An Introduction to the Art of Narrative Film Technique (2005)Closely Watched Films: An Int…The Silent Cinema Reader (2004)The Silent Cinema ReaderRefiguring American Film Genres: History and Theory. (2000)Refiguring American Film Genr…Theorizing the Moving Image (1999)Theorizing the Moving ImageInterpreting the Moving Image (1998)Interpreting the Moving ImageFilm Theory and Philosophy (1997)Film Theory and PhilosophyHollywood cinema: an introduction (1996)Hollywood cinema: an introduc…Emotion and the structure of narrative film film as an emotion machine (1996)Emotion and the structure of …Classical Hollywood comedy (1996)Classical Hollywood comedyShowstoppers: Busby Berkeley and the Tradition of Spectacle. (1994)Showstoppers: Busby Berkeley …Classical Hollywood Narrative (1992)Classical Hollywood NarrativeThe Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (1986)The Classical Hollywood Cinem…'The Classical Hollywood Cinema: Film Style & Mode of Production to 1960,' David Bordwell, Janet Staiger and Kristin Thompson, Routledge & Kegan Paul, London, Melbourne and Henley, 1985 (1986)'The Classical Hollywood Cine…Heritage and Post-Heritage: Investigating the Style, Form and Genre of Period Drama in 2010s British Television (2020)Heritage and Post-Heritage: I…Fiction Film and the Varieties of Empathic Engagement (2010)Cinematic Destiny: Marvel Studios and the Trade Stories of Industrial Convergence (2012)Family Activity Model: Crossroads of Activity Environment and Family Interactions in Family Leisure (2017)The Cambridge Introduction to Narrative (2008)The Routledge Handbook of Multimodal Analysis (2010)The Cambridge Introduction to Narrative (2020)Transportation Into Narrative Worlds: The Role of Prior Knowledge and Perceived Realism (2004)Appreciation as Audience Response: Exploring Entertainment Gratifications Beyond Hedonism (2009)Chapter 9 Toward a Comprehensive Model of Comprehension (2009)THE RESOURCE-BASED VIEW OF THE FIRM IN TWO ENVIRONMENTS: THE HOLLYWOOD FILM STUDIOS FROM 1936 TO 1965. (1996)Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Audiovisual Translation: Subtitling for the Deaf and Hard-of-Hearing (2006)Cinema, Philosophy, Bergman (2009)Cinema, Philosophy, Bergman: On Film as Philosophy (2009)The Gang's All Here: Generic versus Racial Integration in the 1940s Musical by Sean Griffin (2002)Conversion on Screen: A Glimpse at Popular Islamic Imaginations in Northern Nigeria (2008)The Oxford Handbook of The American Musical (2011)The identification of target and source in pictorial metaphors (2002)Metaphor in Pictures and Multimodal Representations (2008)Mixing genres and matching people: a study in innovation and team composition in Hollywood (2007)The Attentional Theory of Cinematic Continuity (2012)Popular Songs and Comic Allusion in Contemporary Cinema (2001)The Girl and the Phonograph; or the Vamp and the Machine Revisited (2001)Narrative Complexity in Contemporary American Television (2006)How Empathy with Fictional Characters Differs from Empathy with Real Persons (2021)
this work references cited by second hop

References

  • 2013Narration in the Fiction Film1,107 cited
  • 1986The Classical Hollywood Cinema: Film Style & Mode of Production to 1960665 cited
  • 1996Emotion and the structure of narrative film film as an emotion machine550 cited
  • 1986'The Classical Hollywood Cinema: Film Style & Mode of Production to 1960,' David Bordwell, Janet Staiger and Kristin Thompson, Routledge & Kegan Paul, London, Melbourne and Henley, 1985380 cited
  • 2013Contemporary Hollywood Cinema239 cited
  • 1996Classical Hollywood comedy209 cited
  • 1999Theorizing the Moving Image194 cited
  • 1994Showstoppers: Busby Berkeley and the Tradition of Spectacle.161 cited
  • 1997Film Theory and Philosophy132 cited
  • 1998Interpreting the Moving Image94 cited
  • 2005Closely Watched Films: An Introduction to the Art of Narrative Film Technique65 cited
  • 1996Hollywood cinema: an introduction55 cited
  • 2000Refiguring American Film Genres: History and Theory.47 cited
  • 2004The Silent Cinema Reader42 cited
  • 1992Classical Hollywood Narrative20 cited
  • 2013Storytelling: classical Hollywood cinema and classical narrative

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

19 cited

Cited by

  • 2020Heritage and Post-Heritage: Investigating the Style, Form and Genre of Period Drama in 2010s British Television6 cited