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Selling sounds: the commercial revolution in American music
0 references·16 citing·48 second hop
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  • 2016Musical exploration via streaming services: The Norwegian experience62 cited
  • 2014Lost in the Shuffle: Technology, History, and the Idea of Musical Randomness49 cited
  • 2021Stereophonica47 cited
  • 2020The Invention of Latin American Music41 cited
  • 2015Hollywood vault: film libraries before home video37 cited
  • 2018As Seen on TV: Putting the NBC Opera on Stage30 cited
  • 2015Radio and the Gendered Soundscape: Women and Broadcasting in Argentina and Uruguay, 1930–195028 cited
  • 2019Music in the Work of Social Reproduction23 cited
  • 2019Ghosts in the Machine and Other Tales around a “Marvelous Invention”: Player Pianos in Latin America in the Early Twentieth Century21 cited
  • 2011Studying U.S. Music in the Twenty-First Century20 cited
  • 2019Popular Music Fans and the Value of Concert Tickets18 cited
  • 2013Sound Work: Music as Labor and the 1940s Recording Bans of the American Federation of Musicians17 cited
  • 2015Siding with vinyl: Record Store Day and the branding of independent music16 cited
  • 2019McKinney’s Cotton Pickers and the “Unseen Audience”: Constructing Blackness on the Radio15 cited

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2016
Politics and Power in the Record Industry: The Beatles, the Beach Boys, and the Album as Art Form
14 cited
  • 2016Digital Music and Public Goods12 cited