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American art education in the 1940s and 1950s was influenced by national social and political issues. Literature in art education contained conceptions of good citizenship which promoted America's position as a world power after World War II. A new nationalism and internationalism were emphasized. The literature also focused upon a therapeutic model for curriculum. This approach included a notion of personal freedom and a democratic personality that could be psychologically shaped through art activities. The conceptions of curriculum supported a form of social control that functionally withheld from students knowledge about the complexities of art and society.
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