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Cited by

• 2009Affiliation and alienation: hip‐hop, rap, and urban science education161 cited
• 2019Loving Music Till It Hurts145 cited
• 2010“This voice which is not one”: Amy Winehouse sings the ballad of sonic blue(s)face culture112 cited
• 2010Cosmopolitan preferences: The constitutive role of place in American elite taste for hip-hop music 1991–200568 cited
• 2004Bringing Music to the People: Race, Urban Culture, and Municipal Politics in Postwar Los Angeles58 cited
• 2014How Copyright Affected the Musical Style and Critical Reception of Sample-Based Hip-Hop54 cited
• 2018Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism52 cited
• 2014Rebels Without a Pause: Hip‐hop and Resistance in the City45 cited
• 2004Opportunities for ethnography in the sociology of music43 cited
• 2014Gunther Schuller and the Challenge of Sonny Rollins:41 cited
• 2017Questions of Genre in Black Popular Music41 cited
• 2004The Pot Liquor Principle: Developing a Black Music Criticism in American Music Studies37 cited
• 2012‘The industry’s the new road’: Crime, commodification and street cultural tropes in UK urban music37 cited
• 2008"Bridging the Gap": Creed Taylor, Grover Washington Jr., and the Crossover Roots of Smooth Jazz