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“I Give it a 94. It's Got a Good Beat and You Can Dance to it”: Valuing Popular Music
9 references·0 citing·24 second hop
“I Give it a 94. It's Got a Good Beat and You Can Dance to it”: Valuing Popular Music (2005)“I Give it a 94. It's Got a Good Beat and…The Tipping Point: How Little Things Can Make a Big Difference (2004)The Tipping Point: How Little…One Market Under God: Extreme Capitalism, Market Populism, and the End of Economic Democracy (2001)One Market Under God: Extreme…A Whore Just Like The Rest: The Music Writings Of Richard Meltzer (2000)A Whore Just Like The Rest: T…The Mansion on the Hill: Dylan, Young, Geffen, Springsteen, and the Head-on Collision of Rock and Commerce (1997)The Mansion on the Hill: Dyla…The Conquest of Cool (1997)The Conquest of CoolPerforming Rites (1996)Performing RitesPsychotic Reactions and Carburetor Dung (1987)Psychotic Reactions and Carbu…Unsung Heroes of Rock 'n' Roll (1984)Unsung Heroes of Rock 'n' RollCountry: The Twisted Roots Of Rock 'n' Roll (1977)Country: The Twisted Roots Of…Money and Liberation: The Micropolitics of Alternative Currency Movements (2007)The ‘Critical Turn’ in Tourism Studies: A Radical Critique (2009)Stakeholders, stakeholder theory and Corporate Social Responsibility (CSR) (2024)Looking Through a Glass Onion: Rock and Roll as a Modern Manifestation of Carnival (1993)Taking it in the ear: On musico-sexual synergies and the (queer) possibility that music is sex (2012)Kathy Acker (2020)Editorial: Mobilities, Immobilities and Moorings (2006)The Essential Impact of Context on Organizational Behavior (2006)The dynamics of proactivity at work (2008)Brands (2005)The Glocalization of Youth Culture: The Global Youth Segment as Structures of Common Difference (2006)Creative cities: the cultural industries and the creative class (2008)The Production of Culture Perspective (2004)In Search of Authenticity* (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues , 1929-1937 (2002)The Sound of the Plain White Folk? Creating Country Music's “Social Origins” (2008)Hick-Hop Hooray? “Honky Tonk Badonkadonk,” Musical Genre, and the Misrecognitions of Hybridity (2010)“A Word to You Feminist Women”: The Parallel Legacies of Feminism and Underground Comics (2018)E-Graphic Novels (2018)The Cambridge History of the Graphic Novel (2018)“Take Those Old Records off the Shelf”: Youth and Music Consumption in the Postmodern Age (2005)Dead Man's Town: "Born in the U.S.A.," Social History, and Working-Class Identity (2006)Lost in the Shuffle: Technology, History, and the Idea of Musical Randomness (2014)
this work references cited by second hop

References

  • 2004The Tipping Point: How Little Things Can Make a Big Difference3,030 cited
  • 1996Performing Rites1,123 cited
  • 1997The Conquest of Cool852 cited
  • 2001One Market Under God: Extreme Capitalism, Market Populism, and the End of Economic Democracy530 cited
  • 1987Psychotic Reactions and Carburetor Dung153 cited
  • 1997The Mansion on the Hill: Dylan, Young, Geffen, Springsteen, and the Head-on Collision of Rock and Commerce66 cited
  • 2000A Whore Just Like The Rest: The Music Writings Of Richard Meltzer43 cited
  • 1977Country: The Twisted Roots Of Rock 'n' Roll39 cited
  • 1984Unsung Heroes of Rock 'n' Roll6 cited

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