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An archaeological approach to the study of Australian rock art
0 references·14 citing·55 second hop
An archaeological approach to the study of Australian rock art (1976)An archaeological approach to the study o…Women in Australian rock art research: The legacies of Andrée Rosenfeld and Patricia Vinnicombe (2022)Women in Australian rock art …The Sydney School and the genesis of contemporary Australian rock art research (2022)The Sydney School and the gen…Patterns of Style, Diversity, and Similarity in Middle Orinoco Rock Art Assemblages (2019)Patterns of Style, Diversity,…Creating Sydney‐Hawkesbury rock engravings: A Mangrove Mountain engraving tool (2017)Creating Sydney‐Hawkesbury ro…A SCIENTIFIC STUDY OF A NEW CUPULE SITE IN JABILUKA, WESTERN ARNHEM LAND (2014)A SCIENTIFIC STUDY OF A NEW C…Dreamtime Superhighway (Terra Australis 27) Sydney Basin Rock Art and Prehistoric Information Exchange (2008)Dreamtime Superhighway (Terra…Dreamtime Superhighway (TA27) : Sydney Basin Rock Art and Prehistoric Information Exchange (2008)Dreamtime Superhighway (TA27)…Coastal Themes: An Archaeology of the Southern Curtis Coast, Queensland (2006)Coastal Themes: An Archaeolog…Media and social context: Influences on stylistic communication networks in prehistoric Sydney (2000)Media and social context: Inf…Rock Art Research In Australia 1974-94 (1994)Rock Art Research In Australi…The depiction of species in macropod track engravings at an Aboriginal art site in western New South Wales. In F.D. McCarthy, Commemorative Papers (Archaeology, Anthropology, Rock Art), ed. Jim Specht (1993)The depiction of species in m…Regionalism in the recent rock art of western Arnhem Land, Northern Territory (1993)Regionalism in the recent roc…Review (1984)ReviewTIME, SPACE AND PREHISTORIC ART: A PRINCIPAL COMPONENTS ANALYSIS (1980)TIME, SPACE AND PREHISTORIC A…Aboriginal Man and Environment in Australia. 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McCarthy, Commemorative Papers (Archaeology, Anthropology, Rock Art), ed. Jim Specht (1993)The Terramungamine Incident: a double burial with grave goods near Dubbo, New South Wales. In F.D. McCarthy, Commemorative Papers (Archaeology, Anthropology, Rock Art), ed. Jim Specht (1993)Birth of the Rainbow Serpent in Arnhem Land rock art and oral history (1996)Cultural and Natural Areas of Native North America (1943)New ages for human occupation and climatic change at Lake Mungo, Australia (2003)Dating the colonization of Sahul (Pleistocene Australia–New Guinea): a review of recent research (2004)Changing Perspectives in Australian Archaeology, part XI. Rare and curious thylacine depictions from Wollemi National Park, New South Wales and Arnhem Land, Northern Territory (2011)Pleistocene Rock Art: a Colonizing Repertoire for Australia’s Earliest Inhabitants (2013)The “Hidden” Code: Coding and Classifying in Rock Art. The Case of Northwestern Patagonia (2015)Handbook of Material Culture (2006)Time perspectives, palimpsests and the archaeology of time (2006)Digging the topology of rock art in northwestern Patagonia (2019)Digital Rock Art: beyond 'pretty pictures' (2023)A multiscalar methodology for holistic analysis of prehistoric rock carvings in Scotland (2024)Nomads of the Australian desert (1976)The Early to Middle Stone Age Transition and the Emergence of Modern Human Behaviour at site 8-B-11, Sai Island, Sudan (2003)Evidence for P leistocene seed grinding at L ake M ungo, south‐eastern A ustralia (2015)Painted shark vertebrae beads from the Djawumbu–Madjawarrnja complex, western Arnhem Land (2016)Senders, Receivers, and Symbolic Artifacts (2017)Prehistory of Australia (2020)The Identification of Prehistoric Hunter-Gatherer Aggregation Sites: The Case of Altamira [and Comments and Reply] (1980)Our Heritage - Your Playground (1983)Representing Culture: The Production of Discourse(s) for Aboriginal Acrylic Paintings (1991)Deep-Time Images and the Challenges of Globalization (2024)Tracking Change in Rock Art Vocabularies and Styles at Marapikurrinya (Port Hedland, Northwest Australia) (2025)Connection, trespass, identity and a swastika: mark-making and entanglements at Pudjinuk Rockshelter No. 1, South Australia (2019)Earliest parietal art: hominin hand and foot traces from the middle Pleistocene of Tibet (2021)El arte rupestre de Cueva Huenul 1 (Neuquén, Argentina) (2022)
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  • 2006Coastal Themes: An Archaeology of the Southern Curtis Coast, Queensland44 cited
  • 1993Regionalism in the recent rock art of western Arnhem Land, Northern Territory41 cited
  • 2008Dreamtime Superhighway (TA27) : Sydney Basin Rock Art and Prehistoric Information Exchange21 cited
  • 1993The depiction of species in macropod track engravings at an Aboriginal art site in western New South Wales. In F.D. McCarthy, Commemorative Papers (Archaeology, Anthropology, Rock Art), ed. Jim Specht20 cited
  • 2008Dreamtime Superhighway (Terra Australis 27) Sydney Basin Rock Art and Prehistoric Information Exchange18 cited
  • 2019Patterns of Style, Diversity, and Similarity in Middle Orinoco Rock Art Assemblages15 cited
  • 1994Rock Art Research In Australia 1974-9413 cited
  • 2014A SCIENTIFIC STUDY OF A NEW CUPULE SITE IN JABILUKA, WESTERN ARNHEM LAND12 cited
  • 1980TIME, SPACE AND PREHISTORIC ART: A PRINCIPAL COMPONENTS ANALYSIS11 cited
  • 2022The Sydney School and the genesis of contemporary Australian rock art research3 cited
  • 2000Media and social context: Influences on stylistic communication networks in prehistoric Sydney3 cited
  • 2022Women in Australian rock art research: The legacies of Andrée Rosenfeld and Patricia Vinnicombe2 cited
  • 2017Creating Sydney‐Hawkesbury rock engravings: A Mangrove Mountain engraving tool

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  • 1984Review0 cited