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Zinc oxide grounds in 19th and 20th century oil paintings and their role in picture degradation processes
7 references·0 citing·24 second hop
Zinc oxide grounds in 19th and 20th century oil paintings and their role in picture degradation processes (2013)Zinc oxide grounds in 19th and 20th centu…Discrimination of aged mixtures of lipidic paint binders by Raman spectroscopy and chemometrics (2011)Discrimination of aged mixtur…Deterioration in Abstract Expressionist Paintings: Analysis of Zinc Oxide Paint Layers in Works from the Collection of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution (2011)Deterioration in Abstract Exp…Condition Problems Related to Zinc Oxide Underlayers: Examination of Selected Abstract Expressionist Paintings from the Collection of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution (2010)Condition Problems Related to…Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Attenuated total reflection m…The Characterization of Metal Soaps (2003)The Characterization of Metal…Long‐term behavior of oil‐based varnishes and paints I. Spectroscopic analysis of curing drying oils (1999)Long‐term behavior of oil‐bas…Yellowing and Bleaching of Paint Films (1985)Yellowing and Bleaching of Pa…Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)New Advances in the Application of FTIR Microscopy and Spectroscopy for the Characterization of Artistic Materials (2010)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Art in Transit: Studies in the Transport of Paintings (1990)Materials Issues in Art and Archaeology (1991)Long-Term Chemical and Physical Processes in Oil Paint Films (2005)Conservation Issues in Several Twentieth-Century Canadian Oil Paintings: The Role of Zinc Carboxylate Reaction Products (2014)An insight into the mechanical properties of selected commercial oil and alkyd paint films containing cobalt blue (2019)Zinc Soaps: An Overview of Zinc Oxide Reactivity and Consequences of Soap Formation in Oil-Based Paintings (2019)The Organic Chemistry of Museum Objects (1988)A computational model for chemo-mechanical degradation of historical oil paintings due to metal soap formation (2019)Characterization of Zinc Carboxylates in an Oil Paint Test Panel (2019)Investigation of modern oil paints through a physico-chemical integrated approach. Emblematic cases from Valencia, Spain (2020)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Organic Mass Spectrometry in Art and Archaeology (2009)A joint use of Raman and infrared spectroscopies for the identification of natural organic media used in ancient varnishes (2010)Multivariate analysis of combined Raman and fibre‐optic reflectance spectra for the identification of binder materials in simulated medieval paints (2013)Towards a non-invasive quantitative analysis of the organic components in museum objects varnishes by vibrational spectroscopies: Methodological approach (2014)A Review of Non-Destructive Raman Spectroscopy and Chemometric Techniques in the Analysis of Cultural Heritage (2024)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Metal Stearate Distributions in Modern Artists' Oil Paints: Surface and Cross-Sectional Investigation of Reference Paint Films Using Conventional and Synchrotron Infrared Microspectroscopy (2012)Investigating the Photocatalytic Degradation of Oil Paint using ATR-IR and AFM-IR (2017)Metal Soaps in Art (2019)
this work references cited by second hop

References

  • 2003The Characterization of Metal Soaps249 cited
  • 2008Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films214 cited
  • 1999Long‐term behavior of oil‐based varnishes and paints I. Spectroscopic analysis of curing drying oils117 cited
  • 2010Condition Problems Related to Zinc Oxide Underlayers: Examination of Selected Abstract Expressionist Paintings from the Collection of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution49 cited
  • 2011Discrimination of aged mixtures of lipidic paint binders by Raman spectroscopy and chemometrics38 cited
  • 2011Deterioration in Abstract Expressionist Paintings: Analysis of Zinc Oxide Paint Layers in Works from the Collection of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution34 cited
  • 1985Yellowing and Bleaching of Paint Films14 cited

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