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Le Cinéma d’attraction : le film des premiers temps, son spectateur, et l’avant-garde
0 references·6 citing·20 second hop
Le Cinéma d’attraction : le film des premiers temps, son spectateur, et l’avant-garde (2006)Le Cinéma d’attraction : le film des prem…Onscreen/Offscreen (2022)Onscreen/OffscreenMovieScape (2019)MovieScapeSongs from India and Zanzibar: Documenting the Gulf in migration (2018)Songs from India and Zanzibar…Musique et immersion spectatorielle dans les scènes de poursuite des films d’action du cinéma hollywoodien contemporain (2018)Musique et immersion spectato…La « diégèse » dans son acception filmologique. Origine, postérité et productivité d’un concept (2009)La « diégèse » dans son accep…Cinema as dispositif: Between Cinema and Contemporary Art (2009)Cinema as dispositif: Between…Rhétorique de l'image (1964)Nouveau discours du recit (1983)De la fiction (2000)Enacting the Worlds of Cinema (2022)Ideological Effects of the Basic Cinematographic Apparatus (1974)Foucault (1986)Dits et écrits, 1954-1988, Tome III (1994)Early screen culture in colonial Hong Kong (1897–1907) (2019)Intensified Continuity Visual Style in Contemporary American Film (2002)The Way Hollywood Tells It (2006)Tactile Eye (2009)Documentary Is/Not a Name (1990)MIGRANT WORKERS AND THE MANY STATES OF PROTEST IN HONG KONG (2009)The Gulf in the imagination (2009)Future cinema : the cinematic imaginary after film (2003)Encyclopedia of Early Cinema (2004)Ways of Listening (2005)How To Do Things With Words (1975)The sublime object of ideology (1990)Bodies That Matter: On the Discursive Limits of "Sex". (1995)
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Cited by

  • 2009Cinema as dispositif: Between Cinema and Contemporary Art36 cited
  • 2009La « diégèse » dans son acception filmologique. Origine, postérité et productivité d’un concept29 cited
  • 2022Onscreen/Offscreen8 cited
  • 2018Songs from India and Zanzibar: Documenting the Gulf in migration7 cited
  • 2019MovieScape7 cited
  • 2018Musique et immersion spectatorielle dans les scènes de poursuite des films d’action du cinéma hollywoodien contemporain5 cited

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