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“Don’t Call Me Eskimo”: Representation, Mythology and Hip Hop Culture on Baffin Island
5 references·3 citing·26 second hop
“Don’t Call Me Eskimo”: Representation, Mythology and Hip Hop Culture on Baffin Island (2009)“Don’t Call Me Eskimo”: Representation, M…Native American music in eastern North America : experiencing music, expressing culture (2007)Native American music in east…That's the Joint! (2004)That's the Joint!Hip-hop am Main, rappin' on the Tyne: Hip-hop culture as a local construct in two European cities (2004)Hip-hop am Main, rappin' on t…Global noise - Rap and Hip-Hop outside the USA (2003)Global noise - Rap and Hip-Ho…Discipline and Punish: The Birth of the Prison. (1978)Discipline and Punish: The Bi…‘Singing acts’ from the deep North: critical perspectives on northern exotics, contemporary ethnic music and language preservation in Sámi communities (2016)‘Singing acts’ from the deep …Outside Looking In: Resisting Colonial Discourses of Aboriginality (2015)Outside Looking In: Resisting…The Politics of Making Home: Opening Up the Work of Richard Iton in Canadian Hip Hop Context (2014)The Politics of Making Home: …The Black Atlantic: Modernity and Double Consciousness (1994)More Brilliant Than the Sun: Adventures in Sonic Fiction (1998)DELINKING (2007)“The Mic Is My Piece”: Canadian Rap, the Gendered “Cool Pose,” and Music Industry Racialization and Regulation (2016)Valuations of diversity: the role of marquee quotas in creative industries (2022)The Art of Case Study Research (1996)The Location of Culture (2012)8 Decolonizing Methodologies: Research and Indigenous Peoples (2024)How To Do Things With Words (1975)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Framing and Reviewing Hip-Hop Educational Research (2009)Arab America: gender, cultural politics, and activism (2013)Authenticity and Consumer Value Ratings: Empirical Tests from the Restaurant Domain (2013)Native American ways of (music) history (2013)Fostering Reconciliation through Collaborative Research in Unama’ki: Engaging Communities through Indigenous Methodologies and Research-Creation (2020)The aurality of pipeline politics and listening for nacreous clouds: voicing Indigenous ecological knowledge in Tanya Tagaq'sAnimismandRetribution (2020)Manifesto for a Relational Sociology (1997)Discourse Analysis as Theory and Method (2002)Migrant “Illegality” and Deportability in Everyday Life (2002)Music and the Global Order (2004)Hybridity and the rise of Korean popular culture in Asia (2005)Changing Communicative Needs, Revised Assessment Objectives: Testing English as an International Language (2006)Language Alternation Strategies in Nigerian Hip Hop and Rap Texts (2009)The Musical Routes of the Spanish Black Atlantic: The Performance of Identities in the Rap of Frank T and El Chojín (2012)‘Makhanda Forever?’: Pirate internet infrastructure and the ephemeral hip hop archive in South Africa (2021)
this work references cited by second hop

References

  • 1978Discipline and Punish: The Birth of the Prison.19,201 cited
  • 2003Global noise - Rap and Hip-Hop outside the USA374 cited
  • 2004That's the Joint!342 cited
  • 2007Native American music in eastern North America : experiencing music, expressing culture25 cited
  • 2004Hip-hop am Main, rappin' on the Tyne: Hip-hop culture as a local construct in two European cities18 cited

Cited by

  • 2015Outside Looking In: Resisting Colonial Discourses of Aboriginality17 cited
  • 2016‘Singing acts’ from the deep North: critical perspectives on northern exotics, contemporary ethnic music and language preservation in Sámi communities9 cited
  • 2014The Politics of Making Home: Opening Up the Work of Richard Iton in Canadian Hip Hop Context7 cited

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