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The widely discussed crisis of the explicative paradigms of reality that takes place in this fin-de-siècle has put into evidence the so-called "new cultural history", which has a wide field of approach in the studies concerning the social representations of the city. By understanding the urban phenomenon as an accumulation of cultural goods, the article aims at developing the theoretical-methodological strategies that allow the "reading of the city", thus reaching the "real" through the historically built system of ideas and images of collective representation that we call imaginary.
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