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Cited by

• 1990The social implications of demographic change132 cited
• 2004The Cambridge History of British Theatre114 cited
• 2006AUDIENCE DEVELOPMENT AND SOCIAL INCLUSION IN BRITAIN113 cited
• 1995The place of music66 cited
• 1999The Soundproof Study: Victorian Professionals, Work Space, and Urban Noise53 cited
• 2013The Cambridge Companion to Vaughan Williams45 cited
• 2004The class and colour of tone: An essay on the social history of vocal timbre45 cited
• 2014Sounds of Sympathy: William Wells Brown’s Anti-Slavery Harp , Abolition, and the Culture of Early and Antebellum American Song37 cited
• 2015The role of choral singing in the lives of amateur choral singers in Iceland35 cited
• 2004Historical perspectives in music sociology35 cited
• 2016Making an English Voice: Performing National Identity during the English Musical Renaissance32 cited
• 1990The family in Britain31 cited
• 2000Dainty little fairies: women, gender and the Savoy Operas27 cited
• 2019Language, the Singer and the Song26 cited
• 2020‘Praise the Lord! We are a Musical Nation’: The Welsh Working Classes and Religious Singing