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Cited by

• 1999The Cambridge History of American Theatre61 cited
• 1995Photo-unrealism: The Contribution of the Camera to the Crisis of Ocularcentrism36 cited
• 1997Visual Representation and Post-Constructivist History of Science31 cited
• 2009De Meyer atVogue: Commercializing Queer Affect in First World War-era Fashion Photography29 cited
• 1982The Emergence of the Mass Society: The Standardization of American Culture, 1830–192022 cited
• 2002The Historical Role of Photomechanical Techniques in Map Production18 cited
• 2015‘Real Pictures of Current Events’14 cited
• 2000Rationalizing Consumption: Lejaren à Hiller and the Origins of American Advertising Photography, 1913–192413 cited
• 1999A Changing Theatre: New York and Beyond10 cited
• 1997American photographs of the boxer rising9 cited
• 1999The Hieroglyphic Stage: American Theatre and Society, Post-Civil War to 19459 cited
• 1999Popular Entertainment8 cited
• 2018TEKNOLOJİ VE SANAT8 cited
• 1999Truth versus art in nineteenth‐century graphic journalism: The colonial Australian case8 cited
• 1981Western Views in Eastern Parlors: The Contribution of the Stereograph Photographer to the Conquest of the West