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SCORING ESSINGTON Composition, Comprovisation, Collaboration
6 references·0 citing·15 second hop
SCORING ESSINGTON Composition, Comprovisation, Collaboration (2011)SCORING ESSINGTON Composition, Comprovisa…Music in a New Found Land (2017)Music in a New Found LandCross-Cultural Appropriation: A Musicologist's Perspective (2006)Cross-Cultural Appropriation:…Unheard melodies: narrative film music (1988)Unheard melodies: narrative f…The Study of Ethnomusicology (1986)The Study of EthnomusicologySonatas and Interludes (1977)Sonatas and InterludesMusical presentation of motion pictures (1921)Musical presentation of motio…Death metal tonality and the act of listening (1999)The possibility of impossible cultures (2009)The Development of Musical Skills of Underprivileged Children Over the Course of 1 Year: A Study in the Context of an El Sistema-Inspired Program (2016)Interrogating comprovisation as practice-led research (2006)Sedap Cycle: A Multi-Movement ‘Compositional Tour’ of Malaysian Cuisine (2017)Representing Australia to the Commonwealth in 1965: Aborigiana and Indigenous Performance (2019)A theoretical model for the sociomusicological analysis of popular musics (1982)The Afro-American Transformation of European Set Dances and Dance Suites (1988)‘Ethnic’ music traditions in the USA (black music; country music; others; all) (1994)Materializing Film Music (2016)The Cambridge Companion to Film Music (2016)What is Film Atmosphere? (2019)Audio-vision: sound on screen (1994)Theorizing Musical Meaning (2001)The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)
this work references cited by second hop

References

  • 1988Unheard melodies: narrative film music1,038 cited
  • 1986The Study of Ethnomusicology157 cited
  • 2017Music in a New Found Land54 cited
  • 1921Musical presentation of motion pictures54 cited
  • 2006Cross-Cultural Appropriation: A Musicologist's Perspective20 cited
  • 1977Sonatas and Interludes9 cited

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